Friday, 30 December 2022
Punk Beijing
Tuesday, 31 March 2026
Blog & Work Summary by Grok Preceded by Baron Coleman Reading the Riot Act
Charles Frith's long-running blog, remains active as of late March 2026. It has a very eclectic, cryptic, and politically incorrect style, blending short posts about electronic dance music (techno, house, club mixes, and tracks from various DJs/artists) with sporadic, opinionated commentary on geopolitics, conspiracies, and current events.
Recent Activity (2025–2026) Music-heavy posts dominate the output. Titles often reference specific tracks or mixes, such as: "Like That Marco Faraone" (March 28, 2026), "Sirens Flicker Luch" and "Midnight Multiplex Morgan Hislop" (March 26, 2026)
Various others in January 2026 like "Dominator (Beltram Mix)", "Good Love Hannah Laing & RoRo", "Mark Knight 'Devil Walking'", and tracks featuring artists like LP Giobbi, Cassian, or Hannah Laing.
These appear to function as a personal repository or sharing hub for tunes the author likes, sometimes with minimal additional text.
Political/conspiracy-oriented posts appear intermittently, often provocative or aligned with anti-establishment, anti-Zionist, or "truth-seeking" narratives. Examples include: References to "Project Looking Glass & Candace Owens" (January 2026)
"Keir is Homosexual - D Notice on Ukraine Rent Boys" (January 2026), which criticizes UK PM Keir Starmer as controlled/blackmailed and praises figures like Elon Musk, Trump, and JD Vance in the context of fighting for "British freedom" against government agendas.
In 2025: Posts on Zionism, Freemasons/satanism, Q-drops, Trump strategies, whistleblowers, and controversies involving figures like Charlie Kirk's assassination, Candace Owens, Nick Fuentes, Tim Pool, and others (e.g., "Dave Smith UNCOVERS the True Story Behind Charlie Kirk's Assassination", "Fallen Pillars & Q Drop 1708", "Trump's 5D Power Move").
The blog's header/tagline emphasizes: "Politically incorrect, pro human and anti-violence (unless they want to try their luck). "Overall, Tone and Patterns. The style is terse, informal, and often cryptic—many posts are little more than a track title and timestamp, while the political ones deliver blunt takes. It mixes "punk" aesthetics with planning/creative industry vibes (Frith has a background in advertising/planning, previously linked to Beijing). Activity seems steady but not extremely high-volume; 2025 saw notable music posts alongside conspiracy angles, and early 2026 continues that pattern. Frith has a history of controversial online presence, frequently touching on sensitive topics like intelligence agencies, MK Ultra, Palestine, and critiques of power structures (he's been labelled in past discussions as holding anti-Zionist or denialist views by critics).If you're following it for the music shares, conspiracy angles, or both, it's still posting regularly in that signature fragmented way.
Charles Frith has a background in advertising, specifically as a planner (account planner or strategic planner role). In the industry, planners bridge consumer insights, cultural trends, and creative strategy — they research audiences, develop briefs for creatives, and help shape campaign direction. His blog is titled "Punk Planning," which playfully combines his "punk" (anti-establishment, irreverent) persona with this professional planning expertise. Key Details from His Career. Industry & Occupation — He lists himself in his Blogger profile as working in the Advertising industry with the occupation Planner, based in Southampton, Hampshire, United Kingdom.
JWT Beijing — He served as Planning Director at JWT (J. Walter Thompson, now part of Wunderman Thompson) in Beijing, China. This was during a period when he lived and worked in China (roughly mid-to-late 2000s, overlapping with the Beijing Olympics era). He created and shared professional presentations on topics like:Beijing Olympic Sponsorship, Direct versus Indirect Advertising, Community and social business concepts.
These Slideshare uploads reflect his work in strategic planning for major campaigns in the Chinese market. slideshare.net
"Punk Planning" Ethos — The blog name appears to reflect his blend of creative/strategic planning skills with a rebellious, politically incorrect outlook. Early blog posts (from around 2007 onward) sometimes touch on advertising, media, branding, and communication trends, though the site has shifted heavily toward music shares and conspiracy-oriented commentary over time.
His time in Beijing seems to have been a notable chapter — he posted photos and reflections from there, and his advertising role likely involved navigating the fast-growing Chinese market during a boom period for Western agencies. Frith no longer appears to be actively working in mainstream advertising (his more recent online presence is self-employed/independent via the blog), and he has pivoted toward "truth-seeking," geopolitics, and eclectic music curation.
Friday, 10 February 2023
Punk Planning
Friday, 2 August 2019
My Blog Statistics Go Bananas For A Few Days

Tuesday, 8 April 2008
Beijing Fashion and Trends
These guys really made me think I'd lost my antenna for what's going on because their piercings and punk goth look had in my opinion overstepped what Beijing tolerates as acceptable. Its one thing to be rebellious but in my estimation their look (even though its ace) would surely lead to some kind of 'social alienation' in this part of China. I think Vivienne Westwood collector and fashion lecturer Robert De Niet in London would be particularly pleased with those bondage trousers which, like the rocking shoes she designed, are somewhat impractical but look insanely good. Clothes for heroes indeed.
I bumped into them later in that cheap clothes mall I've been raving about and had a chance to ask them a few more questions where they told me in quite good English that they were of Canadian/Korean descent and here to learn Chinese. This kind of pleased me because I couldn't believe how much attitude their style had, although I will always be slightly disappointed in a city that doesn't have room for a few Punk Goths. I understand that Worcester wasn't the sort of place to wear this stuff in 76/77 either!
Monday, 4 April 2016
Charles Frith - Punk Planning: The Panama Deception - George Bush, The CIA & Drug...
Saturday, 19 May 2007
Renaming The Internet
While walking through my favourite street market in the world, on Berwick Street in Soho recently I've noticed a small sign with a big claim that was mentioned again at yesterday's planning get together coffee morning
. dot TK - renaming the internet.
I finally checked it out and it seems to be an interesting idea. A free domain name that redirects to a website of your choice. I've reserved www.accountplanner.tk to point to this blog. Unfortunately www.justdoit.tk is taken so I can't cause a kerfuffle and get sued, thus pointing the worlds traffic to this site by being a punk planner. Check it out, its an interesting idea.
Saturday, 9 June 2007
Who is Kate Walton?

Over at Life in the middle the pressing question of the day is "Who is Kate Walton"? This sort of paralyzing Saturday afternoon existential angst is deeply troubling for us at Punk Planning, and has been known to take the edge off our evening Angel Delight and Rice Pudding. If you know of Kate Walton and why her name is on a five pound note please get in touch as soon as possible so that Paul can get on with the weekend and feel in good shape for some more rough and tumble man hugging tomorrow. Who are you Kate Walton and why is your name on that fiver? The public has a right to know.
Thursday, 1 March 2007
The White Album
England’s strongest side since 1966 they said. The newspapers did, mates who actually watch football and know a thing or two constantly reminded me in the run up to the tournament. It was all over the interweb, the TV pundits sang victory in unison, and even the Go-Go dancers at Long Gun on Soi Cowboy knew that England had a chance of raising the cup and for a fleeting second, wink at the world and say, ‘see, told you we’re the best’.
Have you read my 11:11 11/11 post?
Sunday, 12 August 2007
Darkie
I guess the reason for my incomprehension was that I didn't 'get' Hip Hop or Rap. I thought it was the lowest common denominator of music to dance to. Anyone could do it. A couple of gang gestures, a bobbing head and some Yo Yo exhortation meant that anyone was down with the bad asses. But it wasn't working for me. I couldn't see why people loved it so much and would frequently walk out of clubs in protest, as I always do if the music is rubbish.
Then I got some education.
Some years on from that Burma trip I was with some friends and invited to hang out in a bar on Royal City Avenue (RCA) in Bangkok called Hip Hop. The crowd were an unpretentious and friendly bunch and the music was really rather good when the DJ dropped a Diana Ross Hip Hop mix that blew me away and I knew what the problem was. I'd been listening to bad Hip Hop for all those years.
A conversation with a very smart DJ friend of mine helped also to clarify that Hip Hop was a culture, a movement and not just a genre of music and so now I have no problem hitting a bar for Hip Hop, but like all my music tastes I'm just a bit fussy about what I expose my ears too and need something that makes me think as well as feel.
Well yesterday I came across yet another brilliant Smashing Telly recommendation called The Hip Hop Years. The Origin of Hip Hop. Its on another level and sucked me in for the full 2 hours and 20 minutes 7 seconds. Its completely delicious and to ignore this fine documentary is probably on a par with ignoring the impact that Rock & Roll and Punk had on popular culture. Hip Hop is constantly reinventing, has embraced all genres of music from death metal to classical and brings young people together from the South Bronx to Burma.
But the reason for this post is that I've noticed something while globe trotting and parachute planning in a few countries. I've never come across an African or Afro Caribbean planner. There are plenty of great Indian marketing folk that I've worked with, but I'm starting to get the feeling that planning is predominantly a middle class, Indy music loving, Caucasian pursuit and that is most definitely not a good thing. As I've made clear elsewhere homogeneous advertising is made in homogeneous agencies. As far as I know only
Educate yourself and watch this seminal video.
Saturday, 1 October 2011
Perfidious European Networks
Monday, 6 August 2007
Long Play
Late in the afternoon last week for no apparent reason the phone started ringing off the hook with work things. So I dragged my sorry rear into the West End mainly to get off my well honed reclining-position as earlier I'd been sucked into responding to Robs post to cover my partially exposed butt on brand values. Frankly I was close to bailing out Stateside for an overdue meetup, but a combination of a delayed reply that I've been waiting on, filed in 'the dog ate my emails' folder, and a sudden offer to get stuck into some charity rebranding tipped me over to taking on a gig on that meant a 4am start the next day up in Glasgow doing groups. These included in the afternoon, some young men who don't necessarily think too much about being electronically tagged while keeping a curfew - yeah Punk Planning my friends.
So far its been an exhausting but eyeopening experience and since the kickoff I've also covered Cardiff, a small mining village in the county borough of Caerphilly as well as Sutton Coldfield near Birmingham and Gloucester today. I should wrap up in a few days time but until then I've started to ask myself if the idea of an open source C.I development methodology might be an effective way to meet the objectives of keeping a very disparate bunch of people that range from local government, charity workers and young folk in need of a helping hand onboard and 'buying into' a process which one guy memorably articulated as 'reeking of insincerity' when referring to the the way 'brand' talks.
Here's the deal; most of the people that I've spoken to are really sceptical of anything that relates to marketing and the reason for that is they actually do stuff rather than waffle on about it like a lot of us ad tossers do. Its also increasingly evident that as with any change management a shiny new badge can be a reasonably useful point to coalesce around for a new direction. The reality is that unlike that rare and mythical beast called a proper brand (people getting mugged for Levis in 80's Moscow and ditto for iPods in the 3rd millennium) they probably will never be more famous than say top of mind prompted-recall within a specific charity segment, even if as I have discovered time and again since last Thursday they are off-the-richter-scale for complexity in stakeholders and financial solutions. Not to mention diversity of projects and doing a lot of hands on work.
I'm probing some architecture, platform and proposition dimensions that are not far removed from interrogation of (deep breath) third party projection of the meaning-of-meaning for say deprived young'uns with low attention spans - you get my drift? OK I'm exaggerating a tad, but that whole brand personality malarkey isn't moving mountains for me if people have to think about it. I mean personality is surely something people can spontaneously remark on and unwittingly have, acquire and possibly nurture. Surely its not something that can be scored from the nearest council estate corner gathering, and falls neatly between say a "chav" brand and one that "tells you what to do" as one group earlier today outlined when discussing those "Just do it" people. I guess I'm taking shots at some of the FMCG navel-gazing research gigs I've had to oversea in my time. But there is some overlap with whats going on here.
So in the interests of suggesting a kick-ass methodology for a participatory media process that embraces uncertainty and welcomes the digitalocracy of the web I thought I'd run the idea past you folk in case anyone else has thought about the idea of opening up the development of identity architecture real-time on the web. The immediate pluses for this method are that everyone gets a say and feels that they have been part of the consultation process, one or two egos/agendas don't hijack the process as invariably happens when settling on a least contentious communication platforms. Any thoughts? Is this taking 2.0 a bit far? Could it all go peaches up or as I really suspect, the P.R from the process could be worth considerably more than a years communication budget, given that nobody has ever done it before and that somebody will surely be extremely upset about the loss of control - which is a good thing in my book.
Other than that there are a quite a few other things kicking off and I'll leave you with the best post for ages. If any of you wannabes want to know what planning is about then check out this slice of action that absorbs people of our stargazing ilk who can't ever help stop thinking - albeit in my case pretty uselessly. It also gives me a chance to use that picture of ChinaD0II that has been lurking on my desktop before I dig out some of the great podcasts I'm still gagging to tip y'all off about.
Tuesday, 29 May 2007
Joy Division
The Ian Curtis biopic won Best European Film at Cannes. The post-punk aesthetic of Anton Corbijn's stark black-and-white cinematography was winning over the critics on Friday night but I'm delighted that one of my early music heroes is beginning to earn the the full credit he deserves. I'm also a bit annoyed that I didn't reserve lovewilltearusapart.com when no one else had thought of it and it was going for... erm a song.
Thursday, 3 November 2011
Nevermind - Twenty Years Later
I wont burden you with my album review as there are other top twenty emotions I'd much rather write about and I think Stuart Maconie of The New Statesman has done a good job. Here's the bits I liked.
To understand the seismic impact of Nevermind and of that incendiary first single, "Smells Like Teen Spirit", in particular, one has to hear it - metaphorically at least - through the cheap, fizzing foam headphones of late-1980s pop. Nirvana emerged, to paraphrase Auden, at "the fag end of a low, dishonest decade", at least as far as mass-market pop went. MTV had nullified and sedated white rock. Madonna and Michael Jackson were at creative lows. Hip-hop, after the firestorms of Public Enemy and NWA, had fizzled out in the vaudeville of MC Hammer and Vanilla Ice. Alternative rock largely meant REM, who were huge but spoke now to the constituency that also bought Annie Lennox and Bruce Springsteen records, rather than to disaffected teens.
"I've been confronted by people wanting to beat me up, by people heckling me and being so drunk and obnoxious because they think I'm this pissy rock-star bastard who can't come to grips with his fame . . . I was in a rock club the other night . . . and one guy comes up, pats me on the back and says, 'You've got a really good thing going, you know? Your band members are cool, you write great songs, you affected a lot of people, but, man, you've really got to get your personal shit together!' Then another person comes up and says, 'I hope you overcome your drug problems.' All this happens within an hour while I'm trying to watch the Melvins, minding my own business."






























