I then saw it for the first time at the launch of 'A Master Class in Brand Planning' with Merry Baskin and Judith Lannon back in November, and was taken aback at how plannery Stephen King was. Which of course makes complete sense. Here we can see the enthusiasm for the abstract from way back in this marvelous clip that Guy has released and which also includes the remarkable Jeremy Bullmore who shared with me the inside story on that JWT clothing allowance that John Grant talked about over on Brand Tarot here. Jeremy told me in London before I came to Beijing that the allowance was a tax break and that it was a choice between a lawn mower or a clothing allowance and not as suspected an elitist perk for the Toffs. I think this is as good an example as it gets of confirmation bias, narrative fallacy, silent evidence, and epistemic arrogance which are all weaknesses that planners should be conscious of struggling against when forming conclusions.
Thursday 1 May 2008
Stephen King - JWT
I then saw it for the first time at the launch of 'A Master Class in Brand Planning' with Merry Baskin and Judith Lannon back in November, and was taken aback at how plannery Stephen King was. Which of course makes complete sense. Here we can see the enthusiasm for the abstract from way back in this marvelous clip that Guy has released and which also includes the remarkable Jeremy Bullmore who shared with me the inside story on that JWT clothing allowance that John Grant talked about over on Brand Tarot here. Jeremy told me in London before I came to Beijing that the allowance was a tax break and that it was a choice between a lawn mower or a clothing allowance and not as suspected an elitist perk for the Toffs. I think this is as good an example as it gets of confirmation bias, narrative fallacy, silent evidence, and epistemic arrogance which are all weaknesses that planners should be conscious of struggling against when forming conclusions.
The Economist
The Forbidden City
Breaking News
Easily the biggest news of the year for Social Media in China is the just announced 430 million dollar investment by Oak Pacific Interactive for Xiaonei the Chinese Facebook. I posted just recently about China 2.0 over here, with inexpensive ways for brands to get involved with social media, but these guys have just thrown an incredible amount of money into this small start up despite a) the Social Media model is unproven in China b) a revenue model is yet to be harvested from that. This is the equivalent of Google's purchase of Youtube in 2006
Whether this proves a sound investment or not (and its hard to see why a way to make it work wont be found) this is another example of the shift from interruptive messaging of the traditional monologue model of advertising to the dialog model we are seeing all round the world. Advertising may not be broken in developing economies as Russell points out quite correctly, but as long as the shift of eyeballs to computer screens continues it's possible that the massive passive is diminishing a lot quicker than us Asian planners may have first anticipated.
For a comprehensive and authoritive analysis check out Kaiser Kuo's blog post on Ogilvy's Digital Watch.
Tuesday 29 April 2008
My powerpoint is unstoppable
Monday 28 April 2008
Paquita
They were spectacular, fluid, and yet tight when it counted. Gutsy in a word.
At the end of the first act through a triangle shaped formation, the dancers hopped violently backwards and receeding back into the stage, with peaked caps, bathed in the deepest hues of revolutionary red, and saluting violently to the audience whose spontaneous applause they won through sheer bravery given the context of the protests by China against the French in the last few days that is bordering on rage and insanity.
For a brief few seconds, it was as if the French were saying to the overwhelmingly Beijing intellectual-elite audience plus a few oiks myself, "is this what you want?", "is this how you want France to be?", "jumping up and down every time China starts to wave a stick?" ...."haven't you, you of all people, had enough abuse of power?"
It was the most creative thing I have ever seen and I will never forget it.
Bravo!
如果你是学生 - If you are a student
If you are a student
If you are a student, a university student, I have a suggestion for you. If you like something, buy it; if you don't like something then don't buy it, but don't demonstrate on the streets.
Protests and rallies are addictive. Today you carry the flag of patriotism against the outside world, tomorrow you carry the flag of patriotism against...
So you won't get support. During the whole process, all you can do is face the Chinese people and the Chinese riot police. You won't even see one blonde hair [i.e. foreigners]. Don't let pointless injury or death happen. Patriotism is not a golden talisman that will protect you from dying. In fact patriotism can be the death of you.
In an era of peace, radical patriotism is no different from a fan's adoration of his idol. But because people don't choose the object of their patriotic love, it's bound to be ever crazier. Previously, I thought inciting the masses was just government rhetoric, a pretext, but now I realize that people can be stirred up rashly. Of course, it's not easy to incite people but when they are determined to be cannon fodder, it's easy for them to blow up. Don't equate the current situation with the May Fourth movement [when patriotic students protested the Versailles treaty in 1919].
The two situations are totally different. Right now what we need is stability. Don't cause disturbances or stir up trouble, it's pointless.
To repeat: that's not the way forward, now is not the time.
I am willing to be called a traitor or a running dog, if only to give you this message: hold back your passions and show a gentle face, accept different voices. It's not yet the time now.
by Han HanHan Han (韩寒) is a novelist with a huge and dedicated fan base. He is also a racing driver and a blogger.
By way of the excellent Danwei
Sunday 27 April 2008
798
The last time I was last in the area, it was for the Yen Countdown on New Years Eve. This time had a chance to walk about in the daylight and get a feel for the Bauhaus architecture and general post war 50's East German industrial influence.
I just liked the comical feel to these. We've been having a discussion on Facebook about art which could go on forever but I think good art should just send people up a bit as much as possible.
This one though in the green was just the right amount of sinister and beauty I like. I was really disappointed not to bag, it as it had been bought by the time I arrived, although I may be able to see the artist at his studio at some point.
I really loved this fading and aging Commie girl complete with pigtails from whatever revolution was being espoused at the time. She's just the wrong side of 50 and a little too old to be putting it about. Its the breasts and neckline that give it away. Brilliant.
Like most of the paintings this was part of a set and the eyes were amazing. Magnetic, hypnotic a little bit attractive, a little bit scary and very sexual.
Crouching Tiger Hidden Bacon
Thursday 24 April 2008
China Takes To Flash Mobbing
I subsequently discovered from Sam's China Internet Word of Mouth that there is a name for this activity in Chinese netizen culture and it's called Fubai FB for short or 腐败 in Chinese. The literal meaning of fubai is "corrupt." It comes from describing the act of corrupt officials freely spending to enjoy life. Within internet auto forums, the term has been appropriated to refer to the netizens spending their own hard-earned money to enjoy life through such "FB" activities as going out for good food and traveling. Often these "offline" FB activities are organized "online" within the forums, as the sense of community is very strong. "Online" friends, who are united by similar interests can quickly become offline friends.
Further evidence that this kind of activity is not restricted to the West comes today in the form of flash mobbing. I came across this possible first event in China last month but it was a Western organised affair judging by the participants. I twittered about it with Mark Earls blogging it later in the day on that occasion.
I then had a really good conversation with one of our planners here called Connie, who is ace and gives me all my China tip offs. Connie explained to me on that occasion that the internet conversation with the Chinese revolved around 'what is the point?' of flashmobbing. Which is a fair enough cultural perspective on something so new. However I'm pleased to see that today, again through the brilliant Connie, that the Chinese netizens have come up with a constructive form of their own flashmobbing. It manifested itself yesterday at the same time in Beijing, Shanghai, Guangzhou and Shenzhen. Finally we have a point to flash mobbing, Chinese style.
The participants assembled outside bookshops and froze at a certain time with a book in hand to advocate that reading and literacy is a good thing. This is quintessential Chinese in so much as it takes a marginally subversive activity that could potentially be used for 'Mob Sourcing' ™ (Oh yeah. I like that) and is turned into something constructive with a point, while of course having fun and not unsettling the authorities. Here is another picture from yesterdays event in Beijing that appeared in the newspapers.
Wednesday 23 April 2008
Adult Swim
I really like this ability to embed and share music with people through blogs and widgets. It's a terrific recommendation/distribution model, and means that Adult Swim make it into my awareness and/or consideration set quickly easily and effectively.
I guess their next task is to find a way to get a few Euros out of me. I believe they can do this outside of the traditional revenue model and despite David's startling assertion in a brilliant post he just wrote that content production as we know it may be dead, or even the nature of content itself.
I'm guessing it depends a lot on the context but make sure to follow his thought leadership blog for more on the future of media and take time to check out David's seminal 'Where are the Joneses', for a glimpse I believe into the future of mobile content.
The other talent that caught my attention recently off the Radio One site are Crystal Castles. This video is for Rob because its all about the noise right?
China 2.0
However Chinese internet isn't really Web 2.0 yet. The Western model of identity and profile through Facebook and Myspace et al simple doesn't work here, but use of BBS is unbelievably masssive. I wrote about it over on Kaiser Kuo's excellent digital China blog some weeks ago here. The most dangerous focus group topic I ever raised was identity versus anonymity here in Beijing with quite progressive University students. Even mentioning that 99.9% of China's internet voice is completely anonymous on Bulletin Boards (BBS) against the thought of 'appearing' on the net as themselves was enough to silence a room full of respondents with fear, as if I were interviewing them for Komitet Gosudarstvenoi Bezopasnosti in Soviet Russia. I'm not exaggerating.
Whether its the State, or the group or the family there's something about being identified or attaching a face to content that terrifies Chinese folk. Face is a big deal in Asia. However the internet is a very valuable and highly appreciated part of middle class Chinese ability to express themselves and articulate their thoughts. Sure a lot of it is flame wars but I think we all know that flaming is part of growing up on the net. Its not hard to wind people up via the interweb is it? Once that realization is discovered, we tend to move on. Possibly to identity/reputation management which is definitely the new game in town now that Google is in charge.
So here's the thing. 70% of Chinese BBS is built on a platform called Discuz which is owned by Comsenz. They just had another million bucks thrown at them by those guys at Google. Now the killer thing about Discuz is that it is partially open source. Open source is almost an heretical idea in Asia. The notion of 'sharing' is antithetical to the Asian mindset. Secrets and information are valued beyond anything else to the point that sometimes it would appear that some would prefer suffocation than sharing their oxygen supply with other parties. I really mean that, it also explains a lot of the copy mentality that exists in this part of the world. That's the irony to the insane fixation on secrets and not sharing stuff; nobody does anything really new and so everyone is watching everyone else to see if an incremental change or new direction is taken. It also explains why only one or two Asian brands, including Japan have brands that stand out.
But with Discuz there is an opportunity to create a mini platform between profile driven social networks and BBS topic driven net activity. I would suggest writing some code for some widgets to sit on top of Discuz driven BBS and then we have a half way house to facilitate cross networking of BBS and profile/identity management that exist with traditonal social networking sites. I'd even go so far as to encourage all the flamers to pick up a new moniker and treat it like they're in front of their family at all times. Like it's their new 'face'. ....Start afresh like!
So the trick now is to figure out where brands should hang out on the net with their customers and their respective communities. Nobody actually has a full breakdown of this information although Sam from See I See/China Internet Word of Mouth knows more than most.
A proposal I made was to do a standard quantitative research project of the top 500 BBS communities on the Chinese net. If that seems like a lot then hold steady because China is massive and there's more. I think the top 500 BBS communites across the metrics of 'most affluent', 'most populous' and 'most influential' would make sense. Then I would segment all those groups across the usual community interests that advertisers are most interested in, moms and families, car lovers, tech lovers, political, travel and all the usual useful-in-a-rough and-ready-way segmentation seen on those standard tick boxes we are asked to fill in when we subscribe to internet services.
Once this 'new digital media planning data' is available I'd then put forward a China 2.0 media plan. Using the fundamentals of Transmedia Planning and some viral work that embraced volume seeding, Lo-Fidelity video and the upside of risk, as talked about back here in the post Black Swan (and here too) I'd think about developing a plan for engaging with existing customers and potential customers on the basis of being interesting or useful to them. That plan should be strategically built on a broadcast to narrowcast basis or vice versa depending on the rationale for engaging/reenforcing something at an internet dialogue level first or television's monologue model. Its quite exciting when I start to think about creative briefs written with the net first or telly first as a rolling narrative direction. Lots of opportunities there.
The only part I'm still trying to figure out is how to 'represent' in those tens or hundreds of 'communities' on the net where it's important to be useful or interesting for specific clients and their needs. I've given it some thought and my instinct is to identify the people who are most active in and respected in the community. The trick is NOT to buy them, because they then lose their authority and respect (Shills they scream!), but to build up their reputation by giving them the ability to 'share' through either reputation enhancements of information sharing or favour dispensation such as Skype credits or Taboa (China's Ebay) coupons as an idea. It's crucial that all actions are transparent, open, honest and authentic otherwise it all falls apart. Brands aren't very good at that short list of Web 2.0 guidelines and it explains why most marketing 1.0 peeps and planners 1.0 types don't get it.
Ideas like the one above are unlikely to be implented here though any day soon. One of the most frustrating aspects of working in developing economies is just how many bad habits are picked up from the West and then applied cookie cutter style over here. The advertising format is pretty much the same for lazy/untalented marketers and agencies (insert pretty model with product implying that you too can be cool/beautiful/powerful). And then the methodologies for assessing the effectiveness of those campaigns are just lifted from the West without much thought to the notion that Asians have a different perception of the truth or how to articulate it. Even the focus group dynamic is completely stuffed given that cultural differences like Guanxi in China or Grenjai in Thailand exist. This is where even the sharing of inconsequential information is considered reckless and stupid. I did write back here how I would approach Asian research with a fresh mindset because the same old companies come back with the same old rubbish and its not hard to figure out better ways.
I've pointed out that a lot of the advertising people in China have sat on top of 15% GDP growth for 10-15 years and are at best unremarkable and at worst believe their own P.R. but I'm guessing that one or two might read the above and see the seeds of China 2.0 in there. It's all very exciting when I think about it - The End.
Update: I see that some of these ideas have started to materialize over on CWR blog.
Tuesday 22 April 2008
Voir la vie en rose
Monday 21 April 2008
The Growing Pains of China
Who could dispute that?
However in order to achieve that stability and meteoric growth a number of the usual freedoms which have evolved with many different institutions over several centuries in the West have needed to be limited. The discussion in the mainstream media is never critical of the Government, but I'm assured that within the privacy of the home it's quite normal. The point made to me earlier is that if China's backbone or the migrant worker classes were subjected to a mass media message more critical of China's own shortcomings, it would lead to massive instability. Our news institutions in the West are critical of our own failings but that's because the maturity to handle the criticism is generally there.
OK back to hypersensitivity of criticism. The Chinese are only ever exposed to the 'Good News' provided by the state run media, of success after success. It then comes as a bit of a shock when criticisms are leveled against this country despite the successful nature of accelerated wealth accumulation conditions provided by the State. It is even more of a rude affront as those criticisms come from the outside. No family can handle criticism from any outside party when constructive criticism from within is stifled and curtailed.
The video above prompted me to write this post because its weakness is the obvious. The author never ever concedes that China may have some responsibility for anything at all, at any time. I think it would be wise for the West to become better at admitting its own shortcomings in a more public manner with the institutions of our governments and their diplomatic agencies. Internal debate and criticism may be endemic in the West but unfortunately the Chinese get to see very little of type of content that makes it into the "comment is free" section of The Guardian. If the West were a little smarter about getting its message across to the Chinese, they'd be making Chinese language viral videos with the type of criticism we subject each other to on a daily basis.
It will probably take a few more years yet though, for the West to intellectually accommodate the East as an equal sibling and also for the East to come to terms with the responsibility of being on the word stage. The Olympics in China's case will be a good start for getting to know each other. However do expect more growing pains.
Saturday 19 April 2008
And The Spring Comes - 立春
It's quite a surprise that this film, And the spring comes - 立春 which is principally about artists and art in China, made it through the censors (SARFT) as although there are only a couple of scenes where the State reveals its ugly and invasive side the operatic leitmotif is pretty much that art is everything about truth and beauty the State has reason to fear the most. It's the unveiling of the human spirit in its purest and most uncontained form isn't it?
Aside from the homosexuality and sexual craving, even the mild partial nudity comes as a surprise in this movie after the recent blacklisting of Lust and Caution star Tang Wei from working in China. I found the operatic parts hugely moving with the end super bringing tears to my eyes. I don't want to say that its completely brilliant throughout as the narrative on occasions was a little patchy although sometimes deliberately so judging by the colour palette on the film poster
The photography, while good isn't say on a par with my favourite director Wong Kar Wai, although I think I could easily die quite happy if I expired while immersed in a scene from 'In The Mood For Love'. The colours in this film are a little washed out in the way that the light in Beijing really is most days. It's captured depressingly accurate, although when Beijing is unpolluted and shines it really does.
The lead actress Jiang Wenli is nothing less than a tour de force with one of the most powerful performances I've seen in a long time. She is married to the director Gu Changwei (Farewell my Concubine) and I understand put on considerable weight to fulfil this role. She acts so well that its difficult for other cast members to come across as better than average.
I want to give some additional thought to the scenes that I think are most important and so I'll probably come back with an update to this post but in the meantime here is a no subtitles clip from Tudou the Chinese version of Youtube and a strong urging that you try and see this important and definitive movie that encapsulates so much of what I love about the Chinese and yet why freedom of expression has yet to be fully understood and also why until it is fully embraced, movies like this will largely be a rare exception. More here too.
Friday 18 April 2008
Going
Going
Going
Going
GONE!
I have read comparisons that Beijing is like Tokyo in the sixties for construction with almost all of its architectural legacy being wiped out. There are still a few Hutongs left, although that courtyard and dimly lit, narrow alleyway type of life is now present in only scattered pockets behind the construction of super huge buildings. Beijing does gigantic urban sprawl with large buildings very very well.
Thursday 17 April 2008
China Protest
I think this young Chinese man who blogs in English has an international and mature perspective that corresponds more closely with the Olympic Slogan of One World One Dream. I blogged about it over here and questioned the sincerity and logic. Nothing would please me more than if the Chinese people proved me wrong on this.