Tuesday 15 September 2009

Boom

There's a couple of sound bites that I always use when people ask me about China because I was fortunate enough to spend some time in Beijing and previously in Shanghai. I got to really think about those difficult questions that aren't easy to answer, or rather, I had many attempts to answer them and get a little better each time. One of them, and it still applies from the bottom of my heart because Beijing taught me that the people there are among the finest that one could wish for as future Leviathan capital city of the planet managing the largest population in one fell swoop is that 

"China is both a few years old, and a few thousand years old at the same time"

I say this because it's one of the most exciting countries on the planet and viscerally feels like a young country. Yet at every conceivable juncture the history of thousands of years in is evident in the customs, the pride, the food, the language and on and on it goes. It permeates the air, the posture of the people and is dense with a high viscosity should you ever get into the sensitive topic of culture in China.

The other quote that I use is more to tame the excesses of a young country (that I love) when considering the responsibilities it will need to face much quicker than any empire philosophical or otherwise to date.

"No country will grow faster, larger and older than China in the history of the world"

Now this might be a slight stretch as I think Italy is doing remarkable demographic time-bomb things as far as an aging population goes but in principle; in terms of size China is the fastest story ever. This incredible graphic below from the ever remarkable All Roads Lead To China Blog is as good as it gets for telling the story visually.



china demographics

Socialist Pig



I love this. Via Daria

Sunday 6 September 2009

Paul Isakson - Social Media Presentation

Paul has done a great presentation on social media that has some new points well worth thinking about and some old ground that we all need reminding of; particularly if your business is structured around squeezing out 30-40 second spots of film geared up for the old 20th century broadcast model.

American Apparel



There isn't a spreadsheet in the world that will prove American Apparel's idea to use the scraps of material they usually discard, as a sales asset, will once again show why they are opening outlets at a considerable pace, all over the world. 

Because they are a company that puts outcomes ahead of incomes the profit follows naturally, but if you put the numbers before the values you're competing with the rest of the mediocrity (sic).


Update: I bookmarked this in my delicious (mmm yummy) when I learned that a Federal raid on American Apparel busted them for hiring illegal aliens and lost the brand 1500 employees or a third of their workforce. American Apparel I salute you. But maybe that outlet in Beijing was a bit premature though ;)

Tuesday 1 September 2009

And While We're At It




The first 5-10 seconds of sound on this one is probably as stunning as the first time I heard Acid music way back in 1988. Not bad pop either. Probably the sort of thing I'd sample for Cillit Bang to convey that it cuts through any shit you either can see or conceive of.

Powerful.

Ferociously effective.

Just a thought.

K - POP

I've been pompously sniffy about pop music and especially so when I grasped just how easy  it is to package the stuff that makes the young salivate so easily.


So I really much more enjoy anything from (unclassical?) Classical and say Minimal Tech - The good stuff mind but then I would say that as I haven't really paid attention to anyone of significant pop music popularity with mandatory good looks and maudlin lyrics, for more years than I can remember.

However, I've had an enforced loss of music. Some 30 Gigs or so of quite choice and select music that went with the cab driver. To make up for this I've been swiping peoples music off mobile phones and I've had an epiphany about Korean Pop music. Yes it's often formulaic, yes it's all about pretty boy bands, or (but not and as they dont mix) girl bands that are too hot for a middle age man to gawp at for more than a second or so, but the facts remain.

About 5-10 percent of K-Pop is top notch pop. The productions are flawless, faultlessly lavish, choreographed cleverly and lastly the music is obviously Korean though frequently with often an English chorus deployed, so we (including the rest of Asia) can all join in or get the gist of the usual teen themes of love that could never spin off tangentially into gender dysphoria issues or handicapped sex because which I just cranked up the imagery deliberately for emphasis rather than any fixation with amputee sex or what not.
In any case as far as K-Pop goes, the music is kick ass in sections and this compensates for the relentless parade of pretty boy good looks and skin that I don't see many women able to match without recourse to traditional concealment techniques. I wont mention the K Chicks because they are stunning, and a charming conclusion to the topic is beyond me right now.

Here is 2PM's "Again and Again" and it's worth more than one listen because there's something heartfelt in it apart from the preternatural pretty boy band expectations it's difficult not to prematuraly conclude.

I'll go as far as to say that K-Pop has something going on right now that has the potential to go really global. I am also currently blown away by the production of Britney Spears who is clearly lacking in talent but a blindingly scary showcase for how good music can be if the best of the best in production are involved. Style over substance? Yes. But then so is moisturiser, lipstick and nail varnish even though I've written at length about cosmetics recenty and I'm not what the Germans would call part of "die brutale emanzipierte frauen" brigade.

Wednesday 26 August 2009

The English Patient

Just in case this is intended to give the impression of some higher and more noble heart, it's not true. It's just the way I'm cut out. I don't like other's suffering and furthermore I see friendship as having umpleasant and trying obligations at times but in this instance I've nothing left to offer so here goes for something I've endured years and years.


After this, some of you might appreciate why I'm quiet at the moment. The email I received recently is intolerable given how hard I've tried to take care of someone who was once brilliant and is no more.

I wrote this after years and years of patience and kindness. It was he who taught me that no good deed goes unpunished. True but not enough for me to be silent. I did that already but as the manics said. "If you tolerate this then your children will be next".
I wouldn't read on if this too raw. I wish I could park it but I can't. So here's what I wrote a few nights ago. 

Yes, I'm guilty of going the extra mile, time and again from quite a few remote countries while pulling as many strings as I could to help. Yes, I'm guilty of over empathic feelings and yes I would hope some reciprocity might be earned. A visit lavished on me; a call, an inquiry and ear to listen to all the hours upon hours of putrid hate that you've exhausted all your sadness. I've been polite but you really haven't been anything close to the wonderful person you once were and it's your HIV that nobody believed which began the decline so let me share the Wat Phrabat Nampoo story I have. I went to with the editor of Cleo magazine a few years back - it was tough but nothing compared to the patients.

One of the more acute memories of visiting this Lop Buri Aids clinic a few years ago, where AIDS victims go to die is of one unforgettable and obscenely bitter face, contorted, hissing and twisted like some decaying-queen of indeterminate former glory, (if any at all), but it's difficult to determine when they're skeletal, wearing nappies and dribbling.The stench of decay before the onset of death is heavy in the tropical air.

Nevertheless, I spoon fed him for as long as I could while he vented his fury at me for getting something miniscule wrong. 

Maybe it was the tinned fruit the wrong way round, or the spoon held at the wrong angle or just the sheer nausea at my comparative health providing succour to his impending death.

Whatever the reason. You clearly need the anger........The last time I encountered such needy yet misdirected hatred was a (Nazi officer's) funeral in Frankfurt c. 1993

I buried him, but only because the family pleaded with me to attend.

A big mistake but not without it's repurcussions.

A Very Useful Track




I'm hoping with chance you might take the stance.

What a track. I really regret not giving Hot Chip the consideration they deserve as Twitter gave me a fine head start on their talent that I squandered.

Sunday 16 August 2009

Synchronicity


The same day I was in the newspaper this guy took up half the page above me. One of my best friends refused to believe that I did the right thing by insisting the cab driver who was unfair to me take us to the police station. He might be right but this guy above will have a long time to reflect on his actions. I've got some rough posts coming up but either way I wanted to share this with you as it's a dark coincidence and it bothers me a lot.

Monday 10 August 2009

X Cultural Communications

This is a useful Cross Cultural presentation summary that was brought to my attention. I was struck as ever that on slide 9 the word quality is dimensionalized according to different cultures and yet we are then faced with reading the rest of the presentation and assuming that the language is uniformly understood. Not always a given with the global ubiquity of the internet. A useful presentation never the less.

Saturday 18 July 2009

Context Collapse



In itself context collapse is a heavy duty context, but however we approach the meaning of meaning, this Youtube presentation by Professor Michael Wesch of Kansas State University given at the Personal Democracy Forum is essential viewing.

Tuesday 14 July 2009

Information DJ



I was talking to Fabio the other day who gave me an idea that requires outright and blatant theft. Any thoughts on me having Information DJ on a business card? That's basically all I do.


 Commercial Via Famous Rob

Monday 13 July 2009

Digital Backflips



I like digital backflips. It's the equivalent of being a bit creative with software and tools when it's for the internet. In this instance a friend couldn't gouge this clip off his Sony Vaio hard drive, for years after filming it on a yacht trip I mentioned back here for another 40th birthday where we sailed for a few days in the Andaman Sea. We finally managed to transfer it between two ASEAN countries and I chuckled on first viewing. I remember well, that the best of Duran Duran were playing for much of the sailing (much to the surly skippers annoyance) but I don't recall in the slightest that 'Notorious' was playing as I dived off. I would however, have been just as delighted if it were 'Girls on film' which has that wonderful opening sequential shutter sequence that you can listen to here.

Feelings are more important than facts


That's a little phrase I use when explaining what we know about communication theory or rather what we've learned in the last few years through terrific thinkers like Russell Davies, Paul Feldwick, Faris Yacob, John Grant, Richard Huntington and Mark Earls. I'd also include Johnnie Moore but he's cleverly identified that he can facilitate change much more powerfully on the inside than through external messaging on the outside. They might not say it quite the way I do because there's always a context  


That little phrase is the reason why I think the Levi's commercial I blogged, is more profound than any washes "Whiter than White" soap powder commercial could. Can you remember which brand said that? It does however have Walt Whitman's poetry in it so I'll try to weave in some messaging thoughts.


In principle we know that the messaging 'ammunition', and it's conceptual artillery of a say a 'mortar rocket' - the brand proposition - are a really brutal way to articulate what a brand stands for - which is why so much advertising sucks. The dirty secret of advertising is that most message based advertising is (from a global persective) in the FMCG segment and is really more about using a propaganda based frequency (repetition) and reach (penetration) platform that is a numerically driven  and quantitatively assesed communications model. Now it works in principle because it's a level playing field for all brands to size each other up. It's flat flat flat. Something like; 'we're rubbish and you're rubbish but at least we can compare how rubbish we are. Like for like is easier than great creative against great creative


Then we squeeze the mediocre output through the link-testing sausage making machine, that removes all the bits that stand out (the scary bits for marketing managers - the interesting bits for creatives and planners) and deliver something that manages both the risk, and let's face it, diminishes it's ability to be persuasive. The magic is, that because it's all so uniform and standard, it can be measured more fairly than working out if say a kiss on the lips is more romantic than licking an ear lobe. It's that ability to brutally compare, which gives the largely illusional security to marketing managers who absolutely don't want to fuck up on their next ad. And why would they? They've got mortgages to pay. So we rely upon the messaging model to sell 90% of our goods, and guess what? 90% of our advertising sucks.

It's boring, patronising and is complained about by exactly the same respondents who we then recruit to tell us what ideas are good or bad. Until we reconcile this illogical way of thinking i.e Asking people how to improve ads and ignore that they don't like what we do as a business, we're kidding ourselves that we're in the creativity business. It's the safety business we're in. Of course this doesn't apply to all work but ask people what they think about most advertising and you'll get the answer to why we should't recruit them in link tests.

However there's an awful lot of complexity to this subject because actually, messaging does work - on some levels - and it's hugely dependant on the CONTEXT which is something I've banged on and on about over and over again. Even this blog post can never define the solution (or even accurately outline the full problem one suspects) because without knowing the full context, the answer may well fly in the face of everything I've just written. Nothing new there then.

But for the sake of focus I'll highlight two messaging models that DO work.

The first is Propaganda. Most of it is done by people who are used to  giving orders. Military style like instructions or bureaucratically hierarchical management. When I say jump, you jump. When I say smoke a reefer, you smoke a reefer (well obviously not, but you get the gist).I've given some examples throughout this post and tried to also show that once it becomes a meme, we've given people something to do which in marketing communications is one step above feelings.

The second great messaging model example is Google Adsense and which has almost reduced much of the advertising revenue slice of the classifed ads cake to a digital utility. Here's a quick example.


There you go. The most profitable messaging business model in the Universe. However, the reason for writing this erratic and probably slightly incoherent post is I got to thinking about when people pick up on a meme and get involved, it's a force for good and should be embraced in much the same way that the Keep Calm meme has evolved throughout this post. People nicking your content and playing with it is far more effective than the messaging model which is largely illusory has a control medium and so finally it's important to bear in mind that while feelings are more important than facts, action's speak louder than words.


Update: I've since learned that Walt Whitman had some pretty shabby views on ethic groups other than Anglo Saxons.

Sunday 12 July 2009

Reinterpreting Ronald

I got stuck into Ronald McDonald's character a bit over here and subsequently discovered this below. I can live with this interpretation. I take everything back as clearly there's lots of room for some exciting transmedia planning ideas when I see subtlety like this. One of the reasons I like Japanese creatives is their subtlety which can transform creative briefs into something more gentle and likable that is outside my imagination.

In this instance the less aggressive use of colour, which is just so much more powerful than rigid corporate identity imposed from afar, is instantly more likable to me. The Japanese often manage to keep their distance from that whole  international identity policing strictness. A common reason is because NPD in Japan, for say beverages, (particularly RTD) is so much faster than what the US is used to, and transcontinental involvement isn't tolerated or the product releases wouldn't keep up with the competition. A snooze you lose scenario.

I like this. But then I've said that already.

Why I love Print Advertising So Much


You can hear a loud silent something can't you? More details over here.

Via the mandatory bhatnaturally

Saturday 11 July 2009

Jung Von Matt



I can't hear the music to this as I'm in an internet cafe, but if they've got it right then strategically and creatively it's an awesome ad. 

Wealthy people who like driving cars often work very hard and long hours. They are often still at the wheel, late into the night. Check out the autobahn next time you're pulling a Stadt zu Stadt all nighter. They're always there and look just as keen as you to get home.


This is great work from one of my favourite German agencies, although that sheep at the end looks like a nod to British advertising (despite being quintessentially German Kinky). It's not far off this recent Passat ad that I also like. However I don't respect this execution as a VW ad. It's too off-brand from the VW brand topography I'm familiar with. It Could be any car couldn't it? 

The Benz number however is solid "future of motoring" territory. 

Anyway cars are dull. The epitomy of 20th century mass production and corporate mindsets. Great advertising though.


1969 - Apollo 11 Moon Landing

There's a lot of history that went down in 1969 including this and this not to mention DARPANET, which indirectly led me to have a brand infatuation moment yesterday in Causeway Bay. I used to live in the area there on Haven Street, which is a groovy place because locals in the know, drop by during the wee hours for famous local desserts.


But what really turned me on was the New Omega Shop which looks a little bit like it could be a flagship store. I mentioned that the IWC "Top Gun" Official USAF watch was kind of OK on me back here but I think they're a little too showy even though the sales staff are awesome.


I've also been toying with buying a Chanel number that caught my eye.


The strap is ceramic like the Rado watches of recent decades and it's a thing of beauty, although once again a little ostentatious. But now I've seen the watch I want, because it ticks all the right boxes on lots of levels. Through their renovation display, Omega have sold me a watch that is the Omega Speedmaster. The first and only watch worn on the moon.


 You're probably wondering why I'm waffling on about watches. I should point out that inside the suitcase stolen by the taxi driver, was the only luxury watch I've ever bought. It was the beautiful and robust Montblanc watch that I once had to go head to head with Rob on his blog about. I also coincidentally bought this watch the last time I was in Hong Kong from a delightful sales lady called Van Wong at the Montblanc Store. Here is a very similar model as it's the unique rubber strap and elegant face that sold me this watch.

 I'm pretty much reconciled to losing this fine friend because it's now been three weeks since it was stolen and the application process for determining a license plate is arbitrary as I understand it. But that's OK because this damm Omega is telling me that despite having quite funky tastes in watches....


....I still need a piece of craftsmanship on my wrist. It's not so much about having the correct time. For me it's about reminding me how valuable time is. Life my friends, is beautiful. Even when we lose everything we own. I'm going to write a bit more about that. Time is something you can't save. Only lose.


Below is one more shop picture of the striking shop renovation for Omega that celebrates the first and only watch on the moon. I think they're onto something. The watch, which I cannot afford till I get a new computer and some clothes firts, will be on my wrist one day. You can count on it. Here's the bit of the moon that the Apollo 11 space capsule in which the Omega Speedmaster was worn landed on. Neat huh? I think we're made for each other.

Thursday 9 July 2009

Real Media



As I've been running on vapours and not always had access to a computer, I've been blogging with paper and pen sometimes in much the same way as I started to write my first post over here, on a flight from New Delhi to Mumbai in 2006.

There's lots of mistakes and chunks missing if you can see at all, but just in case anyone wanted to see how appalling my handwriting is I thought I'd post them anyway. I'll try and get them typed up later this week and really there's a self referential (ooh so po mo) element to this because the longer of the two posts is about Understanding Media from a paper (analogue) to electronic spectrum; or if we include this post it's starting off electronically. You may note that I used the back of the police report for my stolen goods to write this (so some good came out of it) as well as the EMERGENCY number for the British Embassy that the police gave me and which didn't work. Meaning I had to sleep in the police waiting room for the night before borrowing precisely Two dollars to catch the ferry home the next day.





Wednesday 8 July 2009

Communication Efficacy



My planning mentor would have just distilled that title down to 'Efficacy', which is the what we planners do. But in any case Richard Huntington of Saatchi & Saatchi has put a presentation up that he did at the IPA called "Developing your own style" which is the school of planning that I learned at HHCL & Partners where Richard and I both worked, nearly a decade ago. Richard also includes some words from Guy Murphy the Global Planning Director for JWT and one of the reasons why I joined JWT and would fear them in any big pitch. Guy is easily the best multinational network planner I've had the luxury of spending time with when I worked for JWT in London before heading out to Beijing.


Often it's not what Guy says. It's what he doesn't say that commands most respect and is to my mind genius clever from the perspective of garruolous planners like myself. Less is more and all that.


Anyway enough of my waffle. Take a couple of minutes to see how powerful the right combination of words can be from some of the best in the business. And as someone who has lived and worked in more countries than most as a planner I think I can seperate the politically savvy but creatively mediocre beasts from the best in class cats.