For the truth about the Zelensky regime, Google these names:
Vlodymyr Struk
Denis Kireev
Mikhail & Aleksander Kononovich
Nestor Shufrych
Yan Taksyur
Dmitri Djangirov
Elena Berezhnaya
The Ukraine's first peace negotiation team included Denis Kireev who was executed in cold blood by the Ukraine secret police [SBU] on the streets of Chicken Kiev.
Execution is part of the job description for secret police, but never for public consumption unless as an emergency measure to deter any one else thinking of peace. The war is not meant to be won, it is meant to be continuous (Eric Arthur Blair).
Zelensky approved the negotiation team so he bears some responsibility. The military spokesman said Denis was a spy, the Justice department said he was a hero and the Russians via Pravda said he was working for them which is the opposite of spy craft norms unless it's a lie being leveraged.
No too long after the execution Zelensky put down his petite and delicately crusted silver spoon, asked Vogue to take a break from the photoshoot, instructed Bono to give him some privacy and withdrew from the peace talks. A move negating any suggestion he was responsible for the murder of Denis, unless he was pressured by his demented sponsor Kolomoisky, currently residing in Switzerland (now detained in Ukraine) and dusting down his Israeli passport or more likely the nice people in the international community happy to be doing their laundering of Billions outside of Kabul for once and enjoying hookers without mustaches or the dancing boys servicing the tribal chieftains.
Peace talks are only in the interest of Russia enforcing the Minsk accords and more than happy to give away Galicia to Poland who are now giving it speculative side eye when it was NATO who ran foreign policy for them as Finland found out before the disco dancing diva went live on online after an adrenochrome hit.
Gallows humour is all that remains once the burlesque is discarded.
>XThe war in Ukraine started in June 2014 when Kiev forces commenced shelling of Ukrainian civilians in the Donbass region. Even in Israel these are not called clashes.
The CIA and State Department in cahoots with NATO gunning the show, toppled the freely and democratically elected Yanukovich government of The Ukraine through the Maidan square - Orange colour-revolution. British media were disgusted with the body count back then and accurately reported them as Far Right NAZIS. I'm a fan of a few Nazi designers. I like their Hugo Boss boots and Mercedes Star (but really a VW fan at heart). It's very telling the UK is invested in this conflict as much if not more than the Falklands or the Pentagon. No country's leadership has visited Kyiv more than the UK in this disgusting conflict.
Before we return to non-revisionist history, the Donbas lady underneath Rishi and Zed laughing their nuts off, while her legs were confiscated by the Kiev Nazi genociders that Zelensky and NATO are partnered with. She is the victim, and she is dead and she's the only one who isn't able to represent herself.
An elderly ex-US military guy called Russell Bentley in Texas was moved in more ways than one. No, you don't understand. He saw the same bleeding stumps eye witnessed instead of limbs, and literally moved to the Ukraine (Donbas Region) to defend civilians being bombed by their own government. It was 2014 so you probably don't care but it's 2023 now and forced Ukrainian conscription through kidnapping is necessary to keep the meat grinder happy.
They've been fighting for their loved ones, their homes and their lives since 2015 so anybody who wants to tell me that Russia started this war in 2022, let's do it together on camera so the entire world can see who knows their history and who lacks the backbone to challenge the fake media narrative. The subtitles I attempted to translate aren't great and I inadvertently destroyed my original clip, which is now scrubbed from Twitter, so any feedback is welcome as I've had the material checked by a Russian friend who abhors all sides in war.
In Odessa 2014, Pro-Regime Far-Right Nazi-mobs set a building of Ukrainian citizens on fire and (for those who jumped) they beat them to death with clubs. At least the WTC 9/11 jumpers were spared the baseball bats after they hit the pavement running.
Dying from flames and smoke inhalations is called a holocaust in Hebrew (from the Greek holokaustos) a religiously contrived animal-sacrifice that is completely consumed by fire as were the jumpers from the Trades Union Hall of Odessa and 9/11
See for yourself, as it were.
That was 2014
Was 2014
2014
That 2014
The year 2014
The Kyiv war didn't start in 2022. It started in 2014 and I and many others wrote about it extensively because the people who smiled during these times were not anonymous, the media reported their names; Poroshenko, Yatsenyuk, Bernard-Henri, Nuland, Klitschko, Tyanehbok and their dark-lord philanthropist Igor Kolomoisky (rhymes with moistly). The billionaire former Ukrainian producer of President Zelensky and sponsor of Nazi Azov battalion now integrated into the Ukrainian army.
Curious to know more, I checked what most people were entertained by in 2014 and I learned that many people were chilling out to a NETFLIX series called 'Orange Is the New Black' while IRL the US state department were orchestrating an 'Orange Colour Revolution' in Kiev. It's well documented online because the US assistant secretary of state for European and Eurasian affairs Victoria Nuland was recorded on her mobile saying 'Fuck the EU'. The very fucking institution the Maidan Square protestors (orchestrated by the CIA) were demanding to join - see how it works yet? Are you seeing any patterns? Do you need a slap to wake up and smell the coffee?
It was massive news. Even attention-deprived folks were like WTF and (drum roll) The Guardian, ITN and the BBC published it. Stuff like that usually gets memory-holed pretty quick so it's a walking miracle we can establish its veracity for ourselves. She was also recorded at a hearing last year saying 'yeah, they're our biolabs close to the Russian border in Ukraine, and we're worried now that they're in Russian hands'.
The 2014 Maidan square Orange Colour Revolution was executed by imported Georgian mercenary snipers. Both sides killed for the first time in false flag sniping history. More on that later.
2012 was an extraordinary year, but not in the way that I expected. A lot of transformational events occured and they were 'apocalyptic' which comes from Apokálypsis, an Ancient Greek work for 'the lifting of the veil (unveiling) or 'all that is hidden will be revealed' as Led Zep's Robert Plant sang in the song Kashmir. That's another of British Empire's territorial conflicts like Palestine, left to fend for itself with terrorist migrants genociding the locals in 1947 while bombing a British hotel and hanging British troops and leaving them dangling and booby trapped.
It's a wonderful conversation although for me, there are two exceptional moments in this 2008 Southbank production. Baron Bragg says he saw the US President was in Africa on TV that morning but Gore Vidal interrupts his story.
Took ages to find out the word I couldn't understand. I find listening very difficult in any language and generally respond to body language more than words. That's why podcasts are the best way of learning for me. Nothing to distract my eyes. In any case Gore Vidal is referring to Torquemada. A name I've never heard before.
What's striking is the comparison with Bobby Kennedy and saying it on camera. This is why Gore Vidal was a Greek among Romans. He said what he thought even if it took its toll, as he did with the Salzburgers who own the New York Times, now even worse and inarguably a propaganda rag. GV was an insider and knew the Kennedys so it's an exceptional piece of intel as we're now presented with RFK Jr who has done an excellent job on the Covid scamdemic only to declare his unfailing support for Zionism despite Ben Gurion's role as the highest authority (he reported to the next level up) for initiating JFK's and by extension RFK's assassination. To understand all that do a search on JFK + PERMINDEX then look at the correspondence between JFK and Ben Gurion on Dimona. JFK was adamant that Israel would have no nukes and that decision cost him his life.
Don't get me wrong. JFK upset everyone you could imagine (CIA, DoD and the FED etc) but the one thing nobody discusses is that he was bloodline and he chose to make the speech that went too far at the Waldorf Astoria which is Astor bloodline. They had to take him. He was doing everything he could to expose them.
Another gem that I picked up from Gore is that his blind Senator grandfather was 33 Degree Mason and that it's common in bloodline families for one child to be clued up and another to have no idea. They are 5th Dan black belts in secrecy and most people haven't a clue.
I'm going to use this space to share a little more of what this video confirmed for me but only those who bother to check back on this post will know. I have no intention of embarrassing anyone, but the above video confirms my hypothesis and that's a confirmation that is mostly for my indulgence. I hope the future looks upon In Our Time as a very classy effort at asking difficult questions to answer about their lies.
xxxxxxXXXXXXXXXXThe war in Ukraine started in June 2014 when Kiev forces commenced shelling of Ukrainian civilians in the Donbass region. Even in Israel these are not called clashes.
The CIA and State Department in cahoots with NATO gunning the show, toppled the freely and democratically elected Yanukovich government of The Ukraine through the Maidan square - Orange colour-revolution. British media were disgusted with the body count back then and accurately reported them as Far Right NAZIS. I'm a fan of a few Nazi designers. I like their Hugo Boss boots and Mercedes Star (but really a VW fan at heart). It's very telling the UK is invested in this conflict as much if not more than the Falklands or the Pentagon. No country's leadership has visited Kyiv more than the UK in this disgusting conflict.
Before we return to non-revisionist history, the Donbas lady underneath Rishi and Zed laughing their nuts off, while her legs were confiscated by the Kiev Nazi genociders that Zelensky and NATO are partnered with. She is the victim, and she is dead and she's the only one who isn't able to represent herself.
An elderly ex-US military guy called Russell Bentley in Texas was moved in more ways than one. No, you don't understand. He saw the same bleeding stumps eye witnessed instead of limbs, and literally moved to the Ukraine (Donbas Region) to defend civilians being bombed by their own government. It was 2014 so you probably don't care but it's 2023 now and forced Ukrainian conscription through kidnapping is necessary to keep the meat grinder happy.
They've been fighting for their loved ones, their homes and their lives since 2015 so anybody who wants to tell me that Russia started this war in 2022, let's do it together on camera so the entire world can see who knows their history and who lacks the backbone to challenge the fake media narrative. The subtitles I attempted to translate aren't great and I inadvertently destroyed my original clip, which is now scrubbed from Twitter, so any feedback is welcome as I've had the material checked by a Russian friend who abhors all sides in war.
In Odessa 2014, Pro-Regime Far-Right Nazi-mobs set a building of Ukrainian citizens on fire and (for those who jumped) they beat them to death with clubs. At least the WTC 9/11 jumpers were spared the baseball bats after they hit the pavement running.
Dying from flames and smoke inhalations is called a holocaust in Hebrew (from the Greek holokaustos) a religiously contrived animal-sacrifice that is completely consumed by fire as were the jumpers from the Trades Union Hall of Odessa and 9/11
See for yourself, as it were.
That was 2014
Was 2014
2014
That 2014
The year 2014
The Kyiv war didn't start in 2022. It started in 2014 and I and many others wrote about it extensively because the people who smiled during these times were not anonymous, the media reported their names; Poroshenko, Yatsenyuk, Bernard-Henri, Nuland, Klitschko, Tyanehbok and their dark-lord philanthropist Igor Kolomoisky (rhymes with moistly). The billionaire former Ukrainian producer of President Zelensky and sponsor of Nazi Azov battalion now integrated into the Ukrainian army.
Curious to know more, I checked what most people were entertained by in 2014 and I learned that many people were chilling out to a NETFLIX series called 'Orange Is the New Black' while IRL the US state department were orchestrating an 'Orange Colour Revolution' in Kiev. It's well documented online because the US assistant secretary of state for European and Eurasian affairs Victoria Nuland was recorded on her mobile saying 'Fuck the EU'. The very fucking institution the Maidan Square protestors (orchestrated by the CIA) were demanding to join - see how it works yet? Are you seeing any patterns? Do you need a slap to wake up and smell the coffee?
It was massive news. Even attention-deprived folks were like WTF and (drum roll) The Guardian, ITN and the BBC published it. Stuff like that usually gets memory-holed pretty quick so it's a walking miracle we can establish its veracity for ourselves. She was also recorded at a hearing last year saying 'yeah, they're our biolabs close to the Russian border in Ukraine, and we're worried now that they're in Russian hands'.
The 2014 Maidan square Orange Colour Revolution was executed by imported Georgian mercenary snipers. Both sides killed for the first time in false flag sniping history. More on that later.
A couple of years ago, I was working in a complex care home with people who have tricky mental health issues. We had all sorts there, a murderer, bipolar folks, borderline personality disorder, schizophrenics... you get the picture.
It wasn't for me though. I found the work rewarding, but I couldn't switch off after working hours, and I definitely suffered with transference.
Southampton Central library only had Mythos as an audio book, and it's taken me six months to listen to it properly, but what an experience. It's up there with Professor Freedman's Early middle ages lectures at Yale for opening up quite a complex subject that had previously always baffled me.
The thing with Greek mythology that had stymied my wish to understand the subject, is that it's all about the hierarchy of the Gods, or rather the Titans, The Gods, The Olympians and so forth, much like John Dee's empire of Angels.
Once the structure is in place, then another world opens up which is so bizarre that I'll leave it to you to find out how weird it is, but let's just say that internecine isn't too incestuous a word, but if anybody came up with these 'stories' in modern times, there would probably be some readers asking if a shrink might be in order.
It's that effing weird.
Oddly enough, I was once snared by some USA dude from what I assume to be an alphabet agency, who wanted to check me out and let me stew in the process for way longer than necessary.
However after he'd done his thing he told me that everything I needed to know was embedded in the mythology of the Greek gods, and here I am ten years or so later and realising he wasn't bluffing.
I've no problem in admitting mistakes because I don't have the military industrial complex or government handcuffs to sit Dick Cheney in a room and pull his pacemaker our with pliers till he speaks.
I have to rely on the best information I can get my hands on at the time.
I've no real interest in the World Trade Centre towers military grade demolition on 9/11, because it's the million or so Iraqis and Afghanis that are the victims, not the Israelis, British, French or Americans who actually orchestrated most of it. You know. The perpetrators.
However, I hope you were watching your freedoms get pick-pocketed by the war entertainment complex since then.
Here's Butler Shaffer's views on the matter. It's erudite thinking and you really must read it to appreciate a mind ahead of its time.
If I were to offer a seminar on the nature of war, I believe that the first class session would include a showing of the film Wag the Dog. Those who wish to justify the obliteration of hundreds of thousands of total strangers in the name of "good" versus "evil," or "national honour," will likely find the movie discomforting. As the governments of India and Pakistan self-righteously, and in the name of "God," threaten one another with a nuclear war that could instantly kill anywhere from ten to twenty million people, it is time for decent, intelligent people to put down their flags and begin to see war for what the late General Smedley Butler rightly termed it: "a racket." This film offers a quick reality fix.
Randolph Bourne's observation "war is the health of the state" is familiar to most critics of militarism, but few have delved into why this is so. Statism is dependent upon mass thinking which, in turn, is essential to the creation of a collective, herd-oriented society. Such pack-like behaviour is reflected in the intellectual and spiritual passivity of people whose mindsets are wrapped up more in images and appearances than in concrete reality.
Such a collapse of the mind produces a society dominated by entertainment — which places little burden on thinking — rather than critical inquiry, which helps to explain why there has long been a symbiotic relationship between the entertainment industry and political systems. Entertainment fosters a passive consciousness, a willingness to "suspend our disbelief." Its purpose is to generate amusement, a word that is synonymous with "diversion," meaning "to distract the attention of." The common reference to movies as a form of "escape" from reality, reflects this function. Government officials know what every magician knows, namely, that to carry out their illusions, they must divert the audience's attention from their hidden purposes.
Michel Foucault has shown how the state's efforts to regulate sexual behaviour — whether through repressive or "liberating" legislation — serves as such a distraction, making it easier for the state to extend its control over our lives. It is instructive that, in the months preceding the World Trade Centre attacks which, in turn, ushered in the greatest expansion of police powers in America since the Civil War, the news stories that dominated the media had to do with allegations of adulterous affairs by a sitting president and a congressman. It is not coincidence that both the entertainment industry and the government school systems have helped to foster preoccupations with sex.
The authority of the state is grounded in consensus-based definitions of reality, whose content the state insists on controlling. This is why so-called "public opinion polls," rather than factual analysis and reason, have become the modern epistemological standard, and why imagery — which the entertainment industry helps to foster — now takes priority over the substance of things.
Politics and entertainment each feed upon — and help to foster — public appetites for illusions and fantastic thinking. The success of such undertakings, in turn, depends upon unfocused and enervated minds, which helps to explain why motion picture and television performers, popular musicians, and athletes — whose efforts require little participation on the part of the viewer — have become the dominant voices in our politicized culture. It also helps to account for the attraction of so many entertainers throughout the world to visionary schemes such as state socialism, as well as the increasing significance of entertainment industry gossip and box-office revenues as major news stories.
The entertainment industry helps shape the content of our consciousness by generating institutionally desired moods, fears, and reactions, a role played throughout human history. Ancient Greek history is tied up in myths, fables, and other fictions, passed on by the entertainers of their day, the minstrels. We need to ask ourselves about the extent to which our understanding of American history and other human behaviour has been fashioned by motion pictures, novels, and television drama. Through carefully scripted fictions and fantasies, others direct our experiences, channel our emotions, and shape our views of reality. The fantasies depicted are more often of conflict, not cooperation; of violence, not peace; of death, not the importance of life.
Nowhere is the interdependency of the political and entertainment worlds better demonstrated than in the war system, which speaks of "theatres" of operation, "acts" of war with battle "scenes," "staging" areas, and "dress rehearsals" for invasions. The pomp and circumstance of war is reflected in military uniforms that mimic stage costumes, all to the accompaniment of martial music that rivals grand opera. A Broadway play can become either a "bomb" or a "hit;" troops are "billeted" (a word derived from the French meaning of a "ticket"); while the premier of a movie is often accompanied, like a World War II bombing raid, by searchlights that scan the skies. Even the Cold War was framed by an "iron curtain." Is it only coincidence, devoid of any symbolic meaning, that at the end of the American Civil War - one of the bloodiest wars in human history - its chief protagonist was shot while attending the theatre, and that his killer was an actor who, upon completing his deed, descended to the stage and exited?
Adolf Hitler understood, quite well, the interplay between political power and theatre, a truth that continues to reveal itself in entertainers involving themselves so heavily in political campaigns, some even managing to get themselves elected to Congress or the presidency! Nor was it surprising that one of the first acts of the Bush Administration, following the announced "War on Terrorism," was to send a group of presidential advisers to Hollywood to enlist the entertainment industry's efforts to portray the war as desired by Washington! As with earlier wars, the "military/entertainment complex" will continue to write the scripts and define the characters that are required to assure the support of passive minds in the conduct of war.
Furthermore, because entertainment is often conducted in crowded settings (e.g., theatres, stadiums, auditoriums) there is a dynamic conducive to the generation of mass-mindedness. One need only recall the powerful harangues of Adolf Hitler that coalesced tens of thousands of individuals into a controllable mob, to understand the symbiotic relationship between entertainment and politics.
Entertainment is a part of what we call "recreation," which means to "re-create," in this case to give interpretations to events that are most favorable to one's national identity and critical of an opponent. In this connection, entertainers help to manipulate the "dark side" of our being which, once mobilized, can help to generate the most destructive and inhumane consequences. World War II movies portrayed Japanese kamikaze pilots who crashed their planes into Navy ships as "crazed zealots," while American pilots who did the same thing to Japanese ships or trains were represented as "heroes" willing to die to save their comrades. German and Japanese soldiers were presented as sneering sadists who delighted in the torture of the innocents, while the American soldiers only wanted to get the war over with so they could get back home to mom and her apple pie! How many of us, today, think of 19th century U.S. cavalrymen — as portrayed by the likes of John Wayne and Randolph Scott — as brave soldiers, while Indian warriors were "savages" for having forcibly resisted their own annihilation?
All of this leads me to ask whether the entertainment industry is an extension of the war system, or whether war is simply an extension of our need for entertainment? What should be clear to us is that entertainment is one of the principal means by which our thinking can be taken over and directed by others once we have chosen to make our minds passive, which we do when we are asked — whether by actors or politicians — to suspend our judgement about the reality of events we are witnessing. When we are content to be amused (i.e. to have our attention diverted from reality to fantasy), and to have our emotions exploited by those skilled in triggering unconscious forces, we set ourselves up to be manipulated by those producing the show.
Politics differs from traditional theatre in one important respect, however: in the political arena, we do not call for the "author" at the end of a war! Most of us prefernotto know, for to discover the identities of those who have scripted such events might call into question our own gullibility
