Charlie Skelton At The Guardian Breaks The Corporate Media Truth Embargo

The informed observer is well aware of the powerfully financed groups that direct the journalist narrative in the controlled corporate media. For this reason very few are aware that NATO is largely responsible for the massacres in Syria and that the usual suspects such as the Council on Foreign Relations or The Bilderberg Group are backing the terrorists in Syria with their extensive control of the corporate for profit pro-war media-narrative.

Charlie Skelton has broken this truth embargo with an article tucked away in the back pages of Comment is Free in The Guardian. It is comprehensive, well researched and extraordinarily extensive. Never before in British Journalism has an article critical of these warmongers parading as think tanks been published. It is nothing less than a piece of history and you can be sure that this will not be the first.

When the world wakes up to the extensive media manipulation it is subjected to this article will be marked as a seminal moment in reporting history. It is slightly tedious to the untrained eye but make no mistake it is a bombshell in the garden of supine journalism.

Update: Tariq Ali agrees

Sandusky Pimped Kids Out To Pervert Elites

When I read that Sandusky had been spotted sipping a Starbucks while on bail for raping boys I knew he was being protected by the elite. Anyone with a passing acquaintance with the Franklin Scandal understands that elite child sex abuse rings are among the most powerful taboos in modern society and connect directly to at least two Whitehouse presidencies. 

The media can't talk about it and are unwilling to fight for the kids because that means taking on the advertisers and our owners. Well that's where we come in a remind the world. It's real, it's happening, it's ugly and it's got to stop. Alex Jones makes a great case above but also links the Sandusky case to the Franklin Scandal here.

mnml ssgs

I haven't been listening to much music for a couple of years while I've been marinating in podcasts and video interviews for research but as one place I kept an eye on has now ceased curating music on their site I'm posting an embed. 

The above selection appeals to me a lot because the opening score sounds like an Ozu movie and there's something very touching about Ozu. Something gentle and authentic.