D.C. Virus

Plenty of testimonials claiming that negative E.T. is collaborating with the Pentagon™ as per the Niara Isley interview I posted earlier. I've no reason to disbelieve that D.C. is not infected. This is the most grown up interview yet on a new book about the hidden and taboo collaboration which contributes to U.S. paralysis and its perpetual war policy while owned by a private bank. Guess who's at the top of those two food chains? I believe POTUS has his hand tied behind his back.

Progress is slow but more of this information is emerging and people are increasingly less rejecting the impossible and finding out for themselves. I'm confident we're heading in the right direction. The book., by Robert M. Stanley is called Covert Encounters in Washington D.C. and provides a, with hindsight, uncomfortably obvious reason why Capitol Hill is the Grand Central Station of UFO activity in the world.

All Roads Lead To Rome

I don't agree with every sentiment that Dr Daisy Stern and Barry Chaimish express but as Israeli Jews nervous of their future security they are entitled to to express their concerns about the Palestinians, unlike AIPAC who exploit the issue for power and money and even get a standing ovation for it.

However, they both (Dr Daisy more than Mr Chaimish) understand the Vatican's role in the Second World War, its hidden wealth and there's even mention of The Transfer Agreement book. That's the first time I've heard a person reference it since I learned of it in the mid noughties. The first chapter can be read here for free if it doesn't embed below.

Terence McKenna In The Mix

This is inspired by a radio show recorded in 1997 which features Terence McKenna being interviewed by Art Bell on Coast to Coast am. They discuss Terence's views on time, psychedelia and volcanoes. Dean Feeney has been obsessed with this recording for a number of years now and upon receiving John Roberts' Glass Eights LP recently, decided to record a mix whilst listening to the interview. The idea here was to focus on the interview as the centre piece and just mix records on the fly, allowing a sort of unconscious flow dictated by listening to the interview.