YE

I did listen to his words, there are lots of celebrity insider info drops there, but that's not really my space. What I do find unbalanced is the vilification without provision of the material that ignited the fireworks.

If it was me who wanted to shine light in a dark corner, surely it's representative to publish the stimulus material, and so there it is above, for others to make their own minds up. 

Or not.

It's frustrating... boringly iterative if you will, as the history of Judaics is convoluted with different claims made under the same umbrella. For me it's a desecration of language to conflate a colonial ideological[genocidal] mindset with a religion. Particularly as the observant Synagogue Jews have a witheringly corrosive and ideological parasite, subcutaneously inserted and unnoticed by the religious patriarchs despite war-crime force and concentration checkpoints backed up by tanks and F-32s, with all opposition silenced in global political discourse, as if the theory of coincidences prevails over any other narrative?

It's a schoolboy error by YE and many others, to sweepingly mislabel it Jewish hegemony, Jewish oligarchy and last but not least Jewish plutocracy, when they are all without exception, ardent Zadokites and singularly unobservant on the days of worship, except where ostentatious donations are made and seen by the most, not just the many in the Synagogue.

Most Zionists are not Jews. 

Cowardly yes, but observant?

Not a chance.

The Clot Thickens

The pale clot structures are simply the wet blood clots laid out to dry and loosened free of the blood residue as they're so unusual morticians, phlebotomists and undertakers can only speculate what they're related to, with the number one suspect of graphene oxide/hydroxide in the injections. They are nano structures which are capable of self-assembly. There are a few TED talks on the subject.

I don't endorse the documentary maker of the clip embedded above. He's sharp but rose too quickly and his merchandise pitch is just another Alex Jones template. No good can emerge from it.

That said, I endorse all the content in the trailer specifically, and can corroborate everything that is said and more. Even the guy with his back to the camera. It's Dr Ryan Cole, MD Pathologist trained at The Mayo Clinic. You may recall I highlighted his conclusions on cancer-acceleration, boosted by contemporary therapies.

When a parent instructs a child on a course of action and is ignored, say three or six times, it's normal to assume the child is disobeying either purposefully or wilfully neglecting to prioritise.

...let's say you're in favour of the injections. You feel better in a world where Government, Big Pharma and Big-Budget-Media are sincere about their intentions towards your well-being. It's seductive, it's a-lot-less-bovver than hovering over a tricky subject, unsure and nervous of plunging into the logarithmic pain/information curve. 

I get that. You take care of your well-being as you see fit.

Logic says infants and children are uninformed. The consequences are irreversible. Don't expect the injected to be sympathetic in the future.

Lord of the Dance

I first heard this rendition of Lord of the Dance 11 weeks ago during the musical intermission of a podcast. I don't think I've heard it for three or four decades, and it celebrates an unanswered question I've long held that is absent in all three of the Abrahamic faiths. 

The Torah, Bible and Quran are empty on human warmth, such as our God given and divine ability to laugh, embrace, sing, dance, hug, write, draw and play musical instruments.

It's took me 10 weeks to track down. I tried to find it from memory by jumping around YouTube versions, but nothing was quite hitting the spot. It's the bass singer that makes it memorable.

Eventually I found the recording by trawling through the archives, and then played it to my phone to get the details. It's The Salisbury Cathedral Choir.

Along the way I came across a name stealers version on Radio 3. Have a listen if you can to Aaron Copeland 

It's the same right? I did a bit of digging and the melody was originally written by J Bracketts and called "Simple Gifts". It's a Shaker song written and composed in 1848, generally attributed to Elder Joseph Brackett from Alfred Shaker Village.

However, if you go to Aaron Copeland's website, he takes the credit for the work, and is awarded musical prizes and everything, yet makes no mention of the writer of the music. Look at him. An avuncular chap like him nicking someone's work and grafting the Shaker theme into the ballet he premiered it with.

Now then, do I conflate Zionists with the Sons and Daughters of Shem?

Absolutely not. What do you think I am. A pedestrian and odious racist?

One of my favourite past times is speaking another language.