Friday, 19 May 2017

What Happens When The Sex Parties Become Ordinary?




Extraordinary testimony from a very senior asset-banking finance person. Those who have read Confessions of an Economic Hitman will recognise the beginning of his story.

Sadly the end of his story is very familiar to me and I've heard it many many times from people who have since been scrubbed from the internet. It is as it is.

One important learning and confirmation I got from this testimony is that the people who create the anti money laundering regulations are the money launderers. They have to do it to stop it getting too 'crowded at the top'.

Inside Trumps War with Robert David Steele



There's no denying that Robert David Steele is more up to date than 99% of CIA employees on how things really work. I also agree with a lot of his assessments, but he does make mistakes and the more influence he gains, the less time he has to vet the information he is digesting.

In the case of blood drinking he's misinformed about adrenalized blood. It's a high not just a rejuvenation elixir. He's also somewhat behind on conceding that some of his Trump appointees he backed, are Neocon hyenas.

I notice Robert is making inroads with Thai officials. I urge him to be cautious. Open Source is anathema to Thailand and ASEAN unless it's sharing Western IP.

Update: The video I originally posted was removed so I need to check if the above interview is relevant to the post. I've since checked and the relevant interview is below. Both are superb.


Update: I no longer trust RDS

Thursday, 18 May 2017

Traumnovelle - 1969 - Eyes Wide Shut



Traumnovelle is a 1926 Novella by Arthur Schnitzler that went on to be adapted in 1969 for television and lastly by Stanley Kurbrick in Eye's Wide Shut.

All the sexual and occult leitmotifs are evident in the original story and support the claim that Kubrick was the Illuminati's principle film maker though it appears reluctantly towards the end.

There's very little to be gleaned from this version that was removed in the final edit of Kubrick's version days before his death. Much of the narrative feels close to Fassbinder's Berlin Alexanderplatz in terms of characters and general seediness.