Was Anders Breivik Clockwork Oranged?

A reasonable question given that Stanley Kubrick would have been 83 today. Decades on his work's dual narrative is largely misunderstood such that most are unaware of Clockwork Orange mind control exposed, 2001 Space Odyssey solar system Saturnalia (among other cosmic dramas), Eyes Wide Shut's elite ritual sex abuse and The Shining's tale of Kubrick's work filming the moon landings for NASA. 

Arthur C Clarke says he was possibly the most intelligent man he knew in this eulogy montage video, and given his movies nested clues exposing a world he kept himself recluse from his greatest day may yet be to come. 

This is mainly from Jay Weidner's research and film making, taunting the elites with quips such as Stanley's world class chess skills. We both know what chequer board Jay's talking about and so do they. Tick tock, tick tock.

Via Open Culture

Deep Impact Comet Elenin?

I've largely ignored comet Elenin because on top of coronal mass ejection and polar shift it's just one of those planetary disaster scenarios that worrying about seems neurotic. However Bangkok doesn't fare well in the "future map" scenarios I've researched thus far. Phnom Penh looks good  in a pinch but my point is I have researched the matter, and so if you live in Asia below is a selection I've channelled from my inner cartographer. I'm being flippant because I've learned that "future maps" are Class-A fear-porn, leaving hard core debunking sceptics unable to resist a bit of right click/save-image insurance policy on the quiet. So be my guest. It can be our secret.

At the urging of my favourite astronomer and scientist, Richard C Hoagland, I've learned that the Comet Elenin is on the surface "completely insignificant" and yet because of glorious anomalies and freaky synchronicity, eerily hard to ignore. So here's the run down.

Since its discovery by its Russian namesake Leonid Elenin last year, it has been the focus of disproportionate attention between him and NASA as they disagree on whether it's a parabolic or hyperbolic comet. The latter has never been observed before. Either way it is going to fly by closest to earth at an auspicious hyperdimensional physics time that is too coincidental for those of us who follow these things.

The story of Comet Elenin's arrival into the solar system is oddly similar to Arthur C. Clarke's, Rendezvous with Rama which I've downloaded as a storybook and am about a third of the way through. It seems the author of 2001 Space Odyssey had some prescience like a Swiss banknote design, now withdrawn from circulation.

The currency note was based on a design that has synchronous Comet Elenin data on it by Leonard Euler a couple hundred years before, and who also happened to be Russian. 


So Leonard Euler/Leonid Elenin are you starting to wake up? 


I picked up on this story first in May, but with confusing names. That is cleared up by Zacharia Sitchin in this podcast. Red Ice have done a nice post on  the currency-synchronicity theme though if your appetite is already wetted, Richard Hoagland has been interviewed by Henrik Palmgren of Red Ice below. Elenin might not be the disaster the fear-porn gang-bangers are portraying it to be but it's hard not to conclude that its arrival is loaded with meaning.

To top it all off there's a bunch of synchronicity between comet Elenin and the 1998 movie Deep Impact but I've warned y'all about the power of predictive programming so don't get sucked into the drama by spending your money on unnecessary emergency dinghies. There's a battle for your attention going on and your job is to keep calm and carry on. It's going to be a wild ride though.

Watch that space.

Winehouse

It's the Amy Winehouse clip that stands out from all the rest for me. I only fully realised why after reading Sasha Frere Jones in the New Yorker. Amy starts of unsteady, even unfamiliar with the song, and the backing singers are no better. She settles down quickly to a level of capable execution including seldom seen smiles punctuated with more familiar looks of incongruous zoned out distance. 

Just before the two minute mark Amy steps-up and takes the song somewhere different than previous renditions. She pulls a devil sign of the horns at that moment but let's not read too much into that because as if to prove she has another two gears above every other singer on the planet, Amy ends the song with a voice that works the crowd like a machete in 90's Rwanda. Extraordinary. All in all, about sixty seconds of visibly trying and the audience are instantly won over.

I've no idea why she was so unhappy. I don't think it was just the drink and drugs. Sometimes drink and drugs are brilliant if a person is deeply unhappy. Then they start to contribute to the unhappiness and nobody can remember what started where.