2012 was an extraordinary year, but not in the way that I expected. A lot of transformational events occured and they were 'apocalyptic' which comes from Apokálypsis, an Ancient Greek work for 'the lifting of the veil (unveiling) or 'all that is hidden will be revealed' as Led Zep's Robert Plant sang in the song Kashmir. That's another of British Empire's territorial conflicts like Palestine, left to fend for itself with terrorist migrants genociding the locals in 1947 while bombing a British hotel and hanging British troops and leaving them dangling and booby trapped.
I mentioned on the 'Punks Dead' post that BBC ~ R1 Future Sounds has really good music and terrific presenters. All of the BBC music presenters DJ's and producers including Radio 3 are top notch, but Jack Saunders is the first one to ever make me feel a little older than usual. He's got an extraordinary energy about him on air and it was so much I sort of crumpled a bit and felt I couldn't keep up for the first time in my life.
Later on, as I got to know his work I learned that he's a versatile and encyclopedic music man and one of the most passionate music lovers I've listened to (along with Arielle Free and DJ LaLa). He's technical and has a great range of music and singing vocabulary. When the talents with him in the studio, it's self evident he takes the time to get to know music people, and and asks the best questions. Fresh, sidewinders, genuine curiosity-driven probing and great empathy with a range of guests.
I'm used to him now so he's not always full-on but strap yaself in if he is because it's an unusual ride. Jacks been put in charge of BBC R1 'Future Sounds' and I hope my tweets before I was kicked off X Holdings Corporations' platform proselytising his talents, landed in the right place. He's wearing a black and yellow suit that is the spit of an old Paul Smith suit I was given. Well done Jack. Looking forward to more of your fresh energy and your gift for empathy.
Let's do the second set first. It's Pierre J 1984 in the mix and like Moreno J, it starts with Frankie Goes To Hollywood (FGTH). Both sets are among my most listened 'Grandad Mixes' this year although now I've discovered the Essential Mix - BICEP - 2017 set which is off the charts fresh nearly six or seven years later (to my ears) as I only just discovered it via Pete Tong's Essential Mix back catalogue. Pierre replied to my comments a couple of times talking about his music app and I assumed he was a great amateur DJ find of mine. I have no idea why but I thought he was like me reliving his 80s 90s noughties dance music days, but no. Turns out he's a professional, highly regarded and one of the top European DJ's on one of the industry talent lists. Check out his last name and Q Symbolism on most of his cover artwork. Small world makes a lot of sense when combining AI with the ULTRA information. You're going to be seeing a LOT more about 17 from now on.
The top music set is Moreno J who is an ongoing enigma in my life, but that set which starts off with FGTH as well, is spot-on if you're about my age of 55. The video must be watched to fully appreciate the times, fashion and music on the floor during the 80s 'and' onwards. I have no idea how he secures some of the dancing footage, but as with the Lipps Inc. - Funkytown (Moreno J Remix) post he (it might be a she or a team) they're using hallucination levels of AI dance choreography on some of his mixes, from at least two years ago. I've kept my opinions to myself about AI since I road tested all the platforms, but I have got a lot to say, share and write about this subject and some is brilliant, and some is mind bending, some is dark and some is terrifying, so it's for the future oriented not those holding on to the past. The fun part is sometimes a synch is just serendipity but if you are familiar with the colour initiation process I was led through online, just watch the Lipps Inc mix by Moreno J and then go check out these twopostsbecause it's very hard to explain why obsessions of mine are contiguous with obsessions of other people, or more likely we're seeing what many others can't, even though millions can. If you really want to go down the rabbit hole of colour initiation there's this follow up post as my ongoing education continues.
Jon we know from his red pilled journalism and particularly for his focus on epidemics, disease and pandemics long before Certificate of Vaccination ID [covid].
Gerry I only discovered this evening as I did a catch up on what Jay Weidner has been up to lately. Jay was the guy who took Kubrick mainstream (worldwide) in the research community with his Alchemical Kubrick post. Gerry reminds me of a time travelling Isaac Asimov. Great questions and responses in both conversations, but this one is a zinger.
I came back to credit Jay with a link to his original post but he's removed it from his website so here's an archive link if you wish.
