Monday, 21 April 2008

The Growing Pains of China




I've been giving a lot of thought as to why the Chinese seem to react so hysterically to any hint of criticism from the outside world. I think I know some of the reasons but first I want to outline some conversations I've been having with my Chinese colleagues. The Government here are responsible for yanking the largest number of Chinese people out of poverty and internal strife and into a modern 21st century environment ever. No other group of people have singlehandedly done so much for one country. Therefore the general view of Government by the Chinese is that they have done a sterling job.

Who could dispute that?

However in order to achieve that stability and meteoric growth a number of the usual freedoms which have evolved with many different institutions over several centuries in the West have needed to be limited. The discussion in the mainstream media is never critical of the Government, but I'm assured that within the privacy of the home it's quite normal. The point made to me earlier is that if China's backbone or the migrant worker classes were subjected to a mass media message more critical of China's own shortcomings, it would lead to massive instability. Our news institutions in the West are critical of our own failings but that's because the maturity to handle the criticism is generally there.

OK back to hypersensitivity of criticism. The Chinese are only ever exposed to the 'Good News' provided by the state run media, of success after success. It then comes as a bit of a shock when criticisms are leveled against this country despite the successful nature of accelerated wealth accumulation conditions provided by the State. It is even more of a rude affront as those criticisms come from the outside. No family can handle criticism from any outside party when constructive criticism from within is stifled and curtailed.

The video above prompted me to write this post because its weakness is the obvious. The author never ever concedes that China may have some responsibility for anything at all, at any time. I think it would be wise for the West to become better at admitting its own shortcomings in a more public manner with the institutions of our governments and their diplomatic agencies. Internal debate and criticism may be endemic in the West but unfortunately the Chinese get to see very little of type of content that makes it into the "comment is free" section of The Guardian. If the West were a little smarter about getting its message across to the Chinese, they'd be making Chinese language viral videos with the type of criticism we subject each other to on a daily basis.

It will probably take a few more years yet though, for the West to intellectually accommodate the East as an equal sibling and also for the East to come to terms with the responsibility of being on the word stage. The Olympics in China's case will be a good start for getting to know each other. However do expect more growing pains.

Saturday, 19 April 2008

And The Spring Comes - 立春


I've just had the amazing good fortune to watch an important Chinese movie in all its cinema glory. I'm a film fan but pathetically handicapped about what I can watch and so the last full movie I saw was the awesome German Language 'Counterfeiters' on the flight from London to Shanghai in November last year. I'm back in love with movies after this because there is so much in this work that will help anyone trying to understand China, while at the same time telling a moving and relevant story.

It's quite a surprise that this film, And the spring comes - 立春 which is principally about artists and art in China, made it through the censors (SARFT) as although there are only a couple of scenes where the State reveals its ugly and invasive side the operatic leitmotif is pretty much that art is everything about truth and beauty the State has reason to fear the most. It's the unveiling of the human spirit in its purest and most uncontained form isn't it?

Aside from the homosexuality and sexual craving, even the mild partial nudity comes as a surprise in this movie after the recent blacklisting of Lust and Caution star Tang Wei from working in China. I found the operatic parts hugely moving with the end super bringing tears to my eyes. I don't want to say that its completely brilliant throughout as the narrative on occasions was a little patchy although sometimes deliberately so judging by the colour palette on the film poster

The photography, while good isn't say on a par with my favourite director Wong Kar Wai, although I think I could easily die quite happy if I expired while immersed in a scene from 'In The Mood For Love'. The colours in this film are a little washed out in the way that the light in Beijing really is most days. It's captured depressingly accurate, although when Beijing is unpolluted and shines it really does.

The lead actress Jiang Wenli is nothing less than a tour de force with one of the most powerful performances I've seen in a long time. She is married to the director Gu Changwei (Farewell my Concubine) and I understand put on considerable weight to fulfil this role. She acts so well that its difficult for other cast members to come across as better than average.

I want to give some additional thought to the scenes that I think are most important and so I'll probably come back with an update to this post but in the meantime here is a no subtitles clip from Tudou the Chinese version of Youtube and a strong urging that you try and see this important and definitive movie that encapsulates so much of what I love about the Chinese and yet why freedom of expression has yet to be fully understood and also why until it is fully embraced, movies like this will largely be a rare exception. More here too.

Friday, 18 April 2008

Going


Going


Going



Going


GONE!

I took these pictures over the course of about a week or so, as the air in Bejing has been thick with dust from endless construction and demolition. I need to buy a face mask to enjoy my electric bike ride around the city in the evenings - Either that or I don't want anyone to recognise me.

I have read comparisons that Beijing is like Tokyo in the sixties for construction with almost all of its architectural legacy being wiped out. There are still a few Hutongs left, although that courtyard and dimly lit, narrow alleyway type of life is now present in only scattered pockets behind the construction of super huge buildings. Beijing does gigantic urban sprawl with large buildings very very well.