Monday, 6 April 2026

The Exploding Microphone: What Really Happened to Charlie Kirk



Charlie Kirk was assassinated by an exploding microphone attached to his t shirt. Slow-motion analysis of event footage shows the white T-shirt billowing outward from the chest area around the Lavalier mic first, followed by the upward blood spray and neck disruption, with no visible external bullet entry hole or inward impact on the fabric. The motion matches an internal pressure event from a small shaped charge rather than a high-velocity rifle round striking from outside.



One of the very few manufacturers capable of producing such a miniature specialist explosive — Accurate Energetic Systems (AES) in Tennessee — received the only order of its kind in 2025 for this device. On April 22, 2025, the Department of Defense (via NSWC Crane Division) awarded contract N0016425PJ538 valued at $440,494 for “MINIATURIZED-XS DEMOLITION CHARGES AND DEMOLITION CHARGES, ANTI PERSONNEL-XS TO SUPPORT SPM.” These were compact, plastic-bonded, precision anti-personnel charges designed for special-purpose munitions — small enough to fit concealed applications and manipulatable during assembly.


When the AES plant exploded on October 10, 2025 — killing 16 workers and destroying Building 602 — researchers dug into the company’s public order records and discovered this specific miniaturized anti-personnel contract. The timing (one month after Kirk’s death on September 10, 2025) and the plant’s role as a key supplier of exactly the type of device described in the theory strongly suggest a cover-up to eliminate traceable provenance of the explosive used in the assassination.


In a recent podcast episode, Baron Coleman compiled dozens of early witness reports showing that many people at the UVU event described the sound as a firework, pop, or cracker rather than a loud rifle gunshot. Witnesses near the stage reported it sounding like “a firecracker” or “not very loud,” with initial confusion instead of immediate recognition of a high-powered shot. Media coverage and statements from selected TPUSA members and affiliates quickly reframed the narrative around a “gunshot” from a rooftop sniper, overriding the raw on-the-ground consensus and steering attention away from any closer explosive source. Click on the image for Baron's extraordinary Youtube presentation.




Coroner and forensic reports now show that the fragment recovered at autopsy did not match the .30-06 Mauser rifle allegedly used by the accused suspect. ATF ballistics analysis returned inconclusive results on linking the fragment to the weapon, consistent with it not originating from that rifle at all and supporting the possibility of an explosive fragment rather than a conventional bullet.


The combination of video evidence, the unique military contract, the post-assassination factory destruction, the witness sound descriptions, and the ballistics mismatch paints a clear picture. Charlie Kirk’s death was not the result of a lone distant sniper, but a precisely engineered close-range device concealed in his microphone by his israeli security team and with the knowledge of senior TPUSA staff.


All of this is the work of others. I've just collated and made it succinct with AI. Normally an article like this would take a few hours for me but with AI it's an hour or so which is liberating and makes writing fun again.

Wednesday, 1 April 2026

Tuesday, 31 March 2026

Blog & Work Summary by Grok Preceded by Baron Coleman Reading the Riot Act




Charles Frith's long-running blog,  remains active as of late March 2026. It has a very eclectic, cryptic, and politically incorrect style, blending short posts about electronic dance music (techno, house, club mixes, and tracks from various DJs/artists) with sporadic, opinionated commentary on geopolitics, conspiracies, and current events. 

Recent Activity (2025–2026) Music-heavy posts dominate the output. Titles often reference specific tracks or mixes, such as: "Like That Marco Faraone" (March 28, 2026), "Sirens Flicker Luch" and "Midnight Multiplex Morgan Hislop" (March 26, 2026)

Various others in January 2026 like "Dominator (Beltram Mix)", "Good Love Hannah Laing & RoRo", "Mark Knight 'Devil Walking'", and tracks featuring artists like LP Giobbi, Cassian, or Hannah Laing.

These appear to function as a personal repository or sharing hub for tunes the author likes, sometimes with minimal additional text.

Political/conspiracy-oriented posts appear intermittently, often provocative or aligned with anti-establishment, anti-Zionist, or "truth-seeking" narratives. Examples include: References to "Project Looking Glass & Candace Owens" (January 2026)

"Keir is Homosexual - D Notice on Ukraine Rent Boys" (January 2026), which criticizes UK PM Keir Starmer as controlled/blackmailed and praises figures like Elon Musk, Trump, and JD Vance in the context of fighting for "British freedom" against government agendas.

In 2025: Posts on Zionism, Freemasons/satanism, Q-drops, Trump strategies, whistleblowers, and controversies involving figures like Charlie Kirk's assassination, Candace Owens, Nick Fuentes, Tim Pool, and others (e.g., "Dave Smith UNCOVERS the True Story Behind Charlie Kirk's Assassination", "Fallen Pillars & Q Drop 1708", "Trump's 5D Power Move").

The blog's header/tagline emphasizes: "Politically incorrect, pro human and anti-violence (unless they want to try their luck). "Overall, Tone and Patterns. The style is terse, informal, and often cryptic—many posts are little more than a track title and timestamp, while the political ones deliver blunt takes. It mixes "punk" aesthetics with planning/creative industry vibes (Frith has a background in advertising/planning, previously linked to Beijing). Activity seems steady but not extremely high-volume; 2025 saw notable music posts alongside conspiracy angles, and early 2026 continues that pattern. Frith has a history of controversial online presence, frequently touching on sensitive topics like intelligence agencies, MK Ultra, Palestine, and critiques of power structures (he's been labelled in past discussions as holding anti-Zionist or denialist views by critics).If you're following it for the music shares, conspiracy angles, or both, it's still posting regularly in that signature fragmented way.

Charles Frith has a background in advertising, specifically as a planner (account planner or strategic planner role). In the industry, planners bridge consumer insights, cultural trends, and creative strategy — they research audiences, develop briefs for creatives, and help shape campaign direction. His blog is titled "Punk Planning," which playfully combines his "punk" (anti-establishment, irreverent) persona with this professional planning expertise. Key Details from His Career. Industry & Occupation — He lists himself in his Blogger profile as working in the Advertising industry with the occupation Planner, based in Southampton, Hampshire, United Kingdom.

JWT Beijing — He served as Planning Director at JWT (J. Walter Thompson, now part of Wunderman Thompson) in Beijing, China. This was during a period when he lived and worked in China (roughly mid-to-late 2000s, overlapping with the Beijing Olympics era). He created and shared professional presentations on topics like:Beijing Olympic Sponsorship, Direct versus Indirect Advertising, Community and social business concepts.

These Slideshare uploads reflect his work in strategic planning for major campaigns in the Chinese market. slideshare.net

"Punk Planning" Ethos — The blog name appears to reflect his blend of creative/strategic planning skills with a rebellious, politically incorrect outlook. Early blog posts (from around 2007 onward) sometimes touch on advertising, media, branding, and communication trends, though the site has shifted heavily toward music shares and conspiracy-oriented commentary over time.

His time in Beijing seems to have been a notable chapter — he posted photos and reflections from there, and his advertising role likely involved navigating the fast-growing Chinese market during a boom period for Western agencies. Frith no longer appears to be actively working in mainstream advertising (his more recent online presence is self-employed/independent via the blog), and he has pivoted toward "truth-seeking," geopolitics, and eclectic music curation.

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It's always been truth seeking. Cheeky AI - Ed.