I like anarchichal thinking. I believe humans don't need to be instructed what to do but are intuitively and instinctively brilliant at self organizing and problem solving. In this respect Pussy Riot appeal to me and I believe they raise the profile of other information/expression/art freedom fighters like Bahrain's Human rights activist Nabeel Rajab and Wikileaks' Julian Assange.
However Pussy Riot organizer Marat Gelman is a Russian Jewish art collector. He has been connected with previous anti-Christian art actions and so my question to you is if Pussy Riot did their demonstration in a synagogue; Is that anti-Semitic? The same applies to a mosque. Is it anti-Islamic? These are questions that I'd love your feedback on. The rest of the post from Philosophers Stone is below:
A British journalist marvelled: they produce no music, no song, no painting, nada, rien, nothing. How can they be described as “artists”? This was a severe test for their supporters, but they passed it with flying honours: that famous lover-of-art, the US State Department, paid for their first ever single being produced by The Guardian out of some images and sounds.
A British journalist marvelled: they produce no music, no song, no painting, nada, rien, nothing. How can they be described as “artists”? This was a severe test for their supporters, but they passed it with flying honours: that famous lover-of-art, the US State Department, paid for their first ever single being produced by The Guardian out of some images and sounds.
Pussy Riot never wrote, composed or painted anything of value at all. Chris Randolph defended them in Counterpunch by comparing them with “the controversial Yegor Letov”. What a misleading comparison! Letov wrote poetry, full of obscenity but it still was poetry, while the Pussy Riot have nothing but Public Relations.
Hell-bent on publicity, but artistically challenged, three young women from Russia decided – well, it sounds like a limerick. They stole a frozen chicken from a supermarket and used it as dildo; they filmed the act, called it “art” and placed it on the web. (It is still there) Their other artistic achievements were an orgy in a museum and a crude presentation of an erect prick.
Hell-bent on publicity, but artistically challenged, three young women from Russia decided – well, it sounds like a limerick. They stole a frozen chicken from a supermarket and used it as dildo; they filmed the act, called it “art” and placed it on the web. (It is still there) Their other artistic achievements were an orgy in a museum and a crude presentation of an erect prick.
Even in these dubious pieces of art their role was that of technical staff: the glory went to a Russian-Israeli artist Plucer-Sarno of Mevasseret Zion, who claimed the idea, design and copyright for himself and collected a major Russian prize. The future Pussy Riot members got nothing and were described by Plucer as “ambitious provincials on the make”, or worse.
Lately they have tried to ride on a bandwagon of political struggle. That was another flop. They poured a flood of obscene words on Putin – in Red Square, in subway (underground) stations – with zero effect. They weren’t arrested, they weren’t fined, just chased away as a nuisance. And they did not attract the attention of people.
Eventually the young viragos were mobilised for an attack on the Church. By that time they were willing to do anything for their bit of publicity. And the anti-Church campaign started a few months ago, quite suddenly as if by command. The Russian Church had 20 years of peace, recovering after the Communist period, and it was surprised by ferocity of the attack.
The alleged organiser of the PR, Marat Gelman, a Russian Jewish art collector, has been connected with previous anti-Christian art actions which involved icon-smashing, imitation churches of enemas. His – and Pussy Riot’s problem was that it was difficult to provoke reaction of the Church. Pussy Riot made two attempts to provoke public indignation in the second cathedral of Moscow, the older Elochovsky Cathedral; both times they were expelled but not arrested.
The third time, they tried harder; they went to St Savior Cathedral that was demolished by Lazar Kaganovich in 1930s and rebuilt in 1990s; they added more blasphemy of the most obscene kind, and still they were allowed to leave in peace. Police tried their best to avoid arresting the viragos, but they had no choice after Pussy Riot uploaded a video of their appearance in the cathedrals with an obscene soundtrack.
During the trial, the defence and the accused did their worst to antagonize the judge by threatening her with the wrath of the United States (sic!) and by defiantly voicing anti-Christian hate speeches. The judge had no choice but to find the accused guilty of hate crime (hooliganism with religious hate as the motive). The prosecution did not charge the accused with a more serious hate crime “with intent to cause religious strife”, though it could probably be made to stick. (It would call for a stiffer sentence; swastika-drawers charged with intent to cause strife receive five years of jail).
Lately they have tried to ride on a bandwagon of political struggle. That was another flop. They poured a flood of obscene words on Putin – in Red Square, in subway (underground) stations – with zero effect. They weren’t arrested, they weren’t fined, just chased away as a nuisance. And they did not attract the attention of people.
Eventually the young viragos were mobilised for an attack on the Church. By that time they were willing to do anything for their bit of publicity. And the anti-Church campaign started a few months ago, quite suddenly as if by command. The Russian Church had 20 years of peace, recovering after the Communist period, and it was surprised by ferocity of the attack.
The alleged organiser of the PR, Marat Gelman, a Russian Jewish art collector, has been connected with previous anti-Christian art actions which involved icon-smashing, imitation churches of enemas. His – and Pussy Riot’s problem was that it was difficult to provoke reaction of the Church. Pussy Riot made two attempts to provoke public indignation in the second cathedral of Moscow, the older Elochovsky Cathedral; both times they were expelled but not arrested.
The third time, they tried harder; they went to St Savior Cathedral that was demolished by Lazar Kaganovich in 1930s and rebuilt in 1990s; they added more blasphemy of the most obscene kind, and still they were allowed to leave in peace. Police tried their best to avoid arresting the viragos, but they had no choice after Pussy Riot uploaded a video of their appearance in the cathedrals with an obscene soundtrack.
During the trial, the defence and the accused did their worst to antagonize the judge by threatening her with the wrath of the United States (sic!) and by defiantly voicing anti-Christian hate speeches. The judge had no choice but to find the accused guilty of hate crime (hooliganism with religious hate as the motive). The prosecution did not charge the accused with a more serious hate crime “with intent to cause religious strife”, though it could probably be made to stick. (It would call for a stiffer sentence; swastika-drawers charged with intent to cause strife receive five years of jail).
