The British People's Long Toxic Affair With Tabloids

Another instant classic by @ChunkyMark The Artist Taxi Driver

Rotterdam Philharmonic Orchestra

We're very lucky to have this building barely two minutes away from my house here in Beijing . I've been making the most of it and dropping-by on my electric bike and buying random tickets for the Ballet, Pianists and Orchestras. It's called 'The Egg' locally for reasons I can't figure out.

Last Monday a colleague and I went to see the Rotterdam Philharmonic Orchestra and they were seamless. A real transportation away from the outside world, conducted by the hugely talented Yannick Nézet-Séguin from Montreal. A classical superstar in the making , along with a sublime performance by the pianist from Shanghai called Yundi Li who was definitely on another level when he played a Prokofiev piece, Piano Concerto No. 2 in g minor, OP. 16 which is hideously dark, complex and confrontational. I loved it.

They get very annoyed about filming anything in the Egg (actually China loathes anything being photographed if they think copyright is being infringed - which is ironic) and even shine a laser spot on people during a performance if anyone is caught doing so.

Anyway, you know I like to shine, so I sneaked some of the two and half minute ovation they gave to the conductor with some never before seen panoramas (I should work in advertising shouldn't I?) of the auditorium. It's world class and here it is.

Just in case you've got loads of time on your hands there's an expression I picked up in Thailand from a P.R. professional, that also applies here in China. Do it first and ask for forgiveness afterwards. This is how we roll as Sam might say.

Paquita

Earlier this evening, the Ballet de l'Opera national de Paris danced a 'Paquita' for a predominantly Chinese crowd at the Beijing National Theatre for Performing Arts (The Egg). Quite astonishingly (to me) they played with the narrative on two notable occasions.

They were spectacular, fluid, and yet tight when it counted. Gutsy in a word.

At the end of the first act through a triangle shaped formation, the dancers hopped violently backwards and receeding back into the stage, with peaked caps, bathed in the deepest hues of revolutionary red, and saluting violently to the audience whose spontaneous applause they won through sheer bravery given the context of the protests by China against the French in the last few days that is bordering on rage and insanity.

For a brief few seconds, it was as if the French were saying to the overwhelmingly Beijing intellectual-elite audience plus a few oiks myself, "is this what you want?", "is this how you want France to be?", "jumping up and down every time China starts to wave a stick?" ...."haven't you, you of all people, had enough abuse of power?"

It was the most creative thing I have ever seen and I will never forget it.

Bravo!